September - October 1967
The Byrds, 1967. |
The recording sessions for the Byrds' next album were fraught with tension. For the past three months, the band, led by Roger McGuinn, had only managed to record seven songs, the most recent one being a cover of Gerry Goffin and Carole King's "Goin' Back", made popular the previous year by pop singer Dusty Springfield.
ROGER McGUINN: "There was a lot of pressure from Columbia to have an album out before the Christmas rush. We were having a bit of writer's block, and we hadn't enough material for a ten-track album." (1989)
If it wasn't writer's block that put pressure on the Byrds, it was arguments among the members, especially with Michael Clarke and David Crosby. The former resigned from his position as the band's drummer following disputes with the other band members over his playing ability as well as his feelings toward the material that Crosby, McGuinn and Chris Hillman had gathered. Crosby was soon kicked out of the band over the recording of "Goin' Back", arguing that his controversial song "Triad" should be on the album instead.
CHRIS HILLMAN: "After Roger and I fired David, we considered bringing back Gene Clark to replace him, but Columbia reminded us that we had to put out an album by November. There was no time to bring in replacement members, so we had to release what we had already managed to finish as well as bring back a few older songs onto the track listing. It's a miracle we managed to get The Notorious Byrd Brothers out at all, given all the shit we were going through." (2004)
DAVID CROSBY: "If Roger and Chris hadn't fired me, I'd have never formed a group with Stephen [Stills] and Graham [Nash]. Oh, and Neil [Young] too. Sometimes bad things have good outcomes." (1977)
November 17, 1967
Released: November 17, 1967
Recorded: December 5, 1966 - September 9, 1967
Producer: Gary Usher
Track listing[1]
Side A
Lady Friend
Goin' Back
Tribal Gathering
Draft Morning
Don't Make Waves
Side B
Change is Now
Old John Robertson
Triad
Dolphin's Smile
It Happens Each Day
Goin' Back
Tribal Gathering
Draft Morning
Don't Make Waves
Side B
Change is Now
Old John Robertson
Triad
Dolphin's Smile
It Happens Each Day
The songs included with the seven planned album tracks were the "Lady Friend"/"Don't Make Waves" single from July, as well as an outtake from Younger Than Yesterday, "It Happens Each Day". The Notorious Byrd Brothers received good reviews from critics, but it only managed to peak at #47 in the United States. It fared far better, however, in the United Kingdom by topping out at #12. The album's sole single, "Goin' Back", was released ahead of the album on October 20 and reached a rather dismal #89 on the Billboard Hot 100. It failed to chart at all in the United Kingdom.
Whilst the various incidents surrounding the album's production were noted at the time, they were eventually forgotten about over time in favor of the quality of the music, being regarded as some of the best music the Byrds had ever recorded, despite running at less than a half hour. Their next album, however, would be bigger not only in length, but in terms of innovation...
March - April 1968
Gram Parsons, 1968. |
GRAM PARSONS: "I was ambivalent when it came to the psychedelic noodlings Roger and Chris did with Michael. I wanted a full country record, but we soon reached a middle ground that the entirety of the first half of what became 20 c. focused a lot on traditional tunes and country and folk music. The second half would include more modern country and folk before delving into psychedelic territory." (1970)
The first songs recorded were a rendition of Bob Dylan's "You Ain't Going Nowhere" and a Parsons original, "Hickory Wind". Over a week, the Byrds had managed to record eight new songs, far more efficient than the seven new songs recorded over a three-month period. The last three songs, Merle Haggard and Jelly Sanders' "Life in Prison", Luke McDaniel's "You're Still on My Mind" and the Louvin Brothers' "The Christian Life" were all recorded the following month, along with two other outtakes, William Bell's "You Don't Miss Your Water" and Cindy Walker's "Blue Canadian Rockies".
May 31, 1968
Released: May 31, 1968
Recorded: October 23, 1967 - April 15, 1968
Producer: Gary Usher
Track listing[2]
Side A
Pretty Polly
I am a Pilgrim
The Christian Life
Hickory Wind
Nothing was Delivered
Life in Prison
You're Still on My Mind
Pretty Boy Floyd
Side B
You Ain't Goin' Nowhere
Lazy Days
You Got a Reputation
Get to You
Natural Harmony
Artificial Energy
Space Odyssey
Moog Raga
I am a Pilgrim
The Christian Life
Hickory Wind
Nothing was Delivered
Life in Prison
You're Still on My Mind
Pretty Boy Floyd
Side B
You Ain't Goin' Nowhere
Lazy Days
You Got a Reputation
Get to You
Natural Harmony
Artificial Energy
Space Odyssey
Moog Raga
Originally dubbed Cosmic American Music, a term Parsons used to describe McGuinn's concept, 20 c. was met with some confusion among fans and critics; was this really an album made by the same band that recorded "So You Want to Be a Rock 'n' Roll Star"? This sounded like a step backwards... at least until you get to the second half of the second side. At the time, people didn't really see the concept behind the album and saw it as simply another country album. Despite that common criticism, 20 c. managed to hit #77 on the Billboard charts, the Byrds' lowest album chart position thus far. The lead single from April, "You Ain't Goin' Nowhere", was a modest hit, reaching #75 and #45 in America and the United Kingdom, respectively.
Like The Notorious Byrd Brothers before it, time eventually proved kinder to 20 c., being regarded as the Byrds' most ambitious effort as well as their last influential album. Of course, fans and listeners are still divided regarding the album's merits as until the three-quarters mark, the Byrds' trademark experimentation is nowhere to be heard.
Footnotes
- All tracks are sourced from The Notorious Byrd Brothers excluding "Lady Friend", "Don't Make Waves" and "It Happens Each Day", sourced from Younger Than Yesterday.
- Tracks are sourced from Sweetheart of the Rodeo and The Notorious Byrd Brothers.
Author's Comments
Another band getting some focus that they didn't get in the initial Phase One; it's the Byrds, David Crosby's band before he became a member of Crosby, Stills, & Nash... and sometimes Young. The inspiration for my take on 20 c. came from AEC on Albums Back from the Dead, only my version includes tracks from The Notorious Byrd Brothers and is a single album instead of a double. I did use AEC's tracklisting as a basis and rearranged some songs around so my version could stick out a little more, also using Sweetheart of the Rodeo as a basis. After that, their discography continues as it did with Dr. Byrds & Mr. Hyde. Unless something else changes courtesy of yours truly.
Album cover for 20 c. was made by IdesignAlbumCovers on Tumblr.
Another band getting some focus that they didn't get in the initial Phase One; it's the Byrds, David Crosby's band before he became a member of Crosby, Stills, & Nash... and sometimes Young. The inspiration for my take on 20 c. came from AEC on Albums Back from the Dead, only my version includes tracks from The Notorious Byrd Brothers and is a single album instead of a double. I did use AEC's tracklisting as a basis and rearranged some songs around so my version could stick out a little more, also using Sweetheart of the Rodeo as a basis. After that, their discography continues as it did with Dr. Byrds & Mr. Hyde. Unless something else changes courtesy of yours truly.
Album cover for 20 c. was made by IdesignAlbumCovers on Tumblr.
Enjoying this side stories idea, as I had mentioned waaaay back in the main ATL about "Wherefore Robert David Jones?" and you eventually gave us the surprising meld of Ziggy, Mick and Keef that I wish I could hear (you know what I mean LOL), and now these smaller threads from the grander tapestry you are weaving are being given their own highlights to fill in certain allowable plotholes (i.e. how Badfinger would relate to the different Apple Records deal and the not-yet broken up Beatles and how that would affect their career) given your rearrangement of history as it were/was/might've been(?), and also the involvement of some of the Alt-albums out there that work within your framework was a good idea, not that you haven't managed to assemble your own variants on the themes when necessary (the Beatle Brian Wilson tribute is, and always will be, to me, the greatest lost album nobody can assemble GRRRRR)...Still enjoying, still reading LOL
ReplyDeleteI've got another Extra Scene in mind involving the Rolling Stones Rock and Roll Circus. That should be fun to write up.
DeleteAny other plot lines during 1966-1970 that I haven't focused on?
What this series has actually done is make me go back and think about those bands that of course existed as well, but through the OTL vagaries never reached levels they might have, and here in your variant ATL, some of them do get somewhat altered fates, though usually not to a level greater than they did in OTL...
DeleteI guess one bizarre possible side effect of the Bowie/Stones meld might be the hastening of the infamous David/Mick bedtime story LOL
That should be interesting to tackle, considering that David married his first wife Angie in 1970, and their only son, Duncan, was born the following year. 1971 was also the same year that Mick married Bianca and they had their daughter Jade.
DeleteIt'll be a lot of fun to write up!
As for what could be called spare threads, your repurposement of the Beach Boys post Wilson RIP cleared up one I, when reading it, hadn't even considered per se in the context of the ATL, though I did casually mention there should be ripples that would affect other bands in the same genres, even if in this case, it recreated the band itself, and likely erases the Full House/Uncle Jesse/BB connection from all existence(s) LOL
ReplyDeleteAs far as my enjoyment goes, you don't need to fill in every gap, but so far these snapshots/sidebar articles in the Wikipedia of this ATL ;) have made for thought provoking 'what-ifs' that tweak some of the history, yet in familiar fashion (Back To Mono) to OTL, showing some paths are maybe not so much predestined, but inevitable? #DylanGonnaDylan LOL
Yeah, as far as familiar fashion goes, that was pretty much the idea of The Ladders' Shine On; it's pretty much the equivalent to All Things Must Pass with two conventional albums and a jam album. I usually try to draw parallels to OTL in one way or another.
DeleteNice job! And thanks for the shout out
ReplyDeleteYou're welcome, man.
DeleteI know this was from 2019, but where's Wasn't Born To Follow? :(
ReplyDelete