July 13, 1985
Wembley Stadium - 7:00 to 8:45 EDT (12:00 to 13:45 BST)
Diana and Prince Charles attending Live Aid, 13 July 1985. |
The crowd cheered as Prince Charles and his wife Diana Spencer appeared amongst them in the stands, accompanied by the Coldstream Guards playing to mark their arrival, before taking their seats. Bob Geldof stood by the prince's left as the latter greeted the crowd with a wave.
"Ladies and gentlemen, the Royal Salute!" announced Tommy Vance.
The Coldstream Guards kicked off the Wembley show with the first six bars to "God Save the Queen". They'd been performing for the British Army for two hundred years, and it seemed fitting that they be the ones to kick off the show.
"And now, to start off sixteen hours of Live Aid," Vance announced again, "would you welcome, Status Quo!"
"Ladies and gentlemen, the Royal Salute!" announced Tommy Vance.
The Coldstream Guards kicked off the Wembley show with the first six bars to "God Save the Queen". They'd been performing for the British Army for two hundred years, and it seemed fitting that they be the ones to kick off the show.
"And now, to start off sixteen hours of Live Aid," Vance announced again, "would you welcome, Status Quo!"
Status Quo (7:01 EDT; 12:01 BST) fittingly kicked off Live Aid with a cover version of John Fogerty's "Rockin' All Over the World", following that up with "Caroline" and "Don't Waste My Time". They were soon followed up by the Style Council (7:19 EDT; 12:19 BST - "You're the Best Thing", "Big Boss Groove", "Internationalists" and "Walls Come Tumbling Down!") and the Boomtown Rats (7:44 EDT; 12: 44 BST - "I Don't Like Mondays", "Drag Me Down" and "Rat Trap").
Def Leppard (8:01 EDT; 13:01 BST) kicked off the second hour of Live Aid with "Photograph" and "Rock of Ages", both from their most recent album Pyromania[1]. Following up on them was Ultravox (8:17 EDT; 13:17 BST) with "Reap the Wild Wind", "Dancing with Tears in My Eyes", "One Small Day" and "Vienna".
Wembley Stadium (London) and John F. Kennedy Stadium (Philadelphia) - 8:45 to 17:00 EDT (13:45 to 22:00 BST)
George Segal and Marilyn McCoo introducing Live Aid to American audiences. |
"We've come together today to make a simple and powerful statement," added Marilyn McCoo, "that all men are our brothers, that all women are our sisters, and especially that all children are our children. When one of us suffers as millions today are suffering in Africa, then we all suffer. And as this is the custom in families everywhere, we extend our helping hand. We lift them up until they can stand on their own. And we don't do this because we feel guilt and certainly not because we feel pity. We do it simply because that's the kind of people that we are."
"And so, for the next sixteen hours, we'll all be enjoying what can only be characterized as the hottest acts in music today."
"And they are Crosby, Stills and Nash, Tom Petty, Sting with Phil Collins and the Who, Bryan Adams... you know who Bryan Adams is?"
"I know who he is."
"Oh, alright. Alright. Eric Clapton, the Beach Boys, Wham!, and much more."
"They're all performing free; not only for African famine relief, but also in support of an even larger purpose. Ending hunger in our world forever. But right now, we're going live to London!"
Joan Baez performing at Live Aid at John F. Kennedy Stadium. |
Nik Kershaw - 9:22 EDT / 14:22 BST (London)
"Wide Boy"
"Don Quixote"
"The Riddle"
"Wouldn't It Be Good"
Four Tops - 9:32 EDT / 14:32 BST (Philadelphia)
"Shake Me, Wake Me (When It's Over)"
"Bernadette"
"It's the Same Old Song"
"Reach Out I'll Be There"
"I Can't Help Myself (Sugar Pie, Honey Bunch)"
Billy Ocean - 9:45 EDT / 14:45 BST (Philadelphia)
"Caribbean Queen"
"Loverboy"
Sade - 9:53 EDT / 14:53 BST (London)
"Why Can't We Live Together"
"Your Love Is King"
"Is It a Crime?"
Black Sabbath - 9:55 EDT / 14:55 BST (Philadelphia)
"Children of the Grave"
"Iron Man"
"Paranoid"
Run–D.M.C. - 10:12 EDT / 15:12 BST (Philadelphia)
"Jam Master Jay"
"King of Rock"
Sting and Phil Collins - 10:18 EDT / 15:18 BST (London)
"Roxanne" (Sting)
"Driven to Tears" (Sting)
"Against All Odds (Take a Look at Me Now)" (Phil Collins)
"Message in a Bottle" (Sting)
"In the Air Tonight" (Phil Collins)
"Long Long Way to Go" (both)
"Every Breath You Take" (both)
Rick Springfield - 10:27 EDT / 15:27 BST (Philadelphia)
"Love Somebody"
"State of the Heart"
"Human Touch"
REO Speedwagon - 10:47 EDT / 15:47 (Philadelphia)
"Can't Fight This Feeling"
"Roll with the Changes”
Howard Jones - 10:49 EDT / 15:49 BST (London)
"Hide and Seek"
David Gilmour performing at Live Aid with the rest of Pink Floyd and Roger Waters at Wembley Stadium. |
"It's actually quite emotional to be standing up here with these three guys again, after all these years - standing to be counted with the rest of you," he said as they began to play "Wish You Were Here". "Anyway, we're doing this for the people who're not here - and particularly, of course, for Syd."[4]
Concluding Pink Floyd's setlist was "Comfortably Numb" from Roger Waters' The Wall. David Gilmour was especially receptive to this, as Waters had been waiting for the perfect opportunity to play the song live with Pink Floyd. The next two artists playing at Philadelphia were Crosby, Stills and Nash (11:12 EDT; 16:12 BST - "Southern Cross", "Teach Your Children" and "Suite: Judy Blue Eyes") and Judas Priest (11:29 EDT; 16:29 BST - "Living After Midnight", "The Green Manalishi (With the Two-Pronged Crown)" and "You've Got Another Thing Comin'"), while the next London artist was Paul Young (11:40 EDT; 16:40 BST), performing the the intro of "Do They Know It's Christmas?", "Come Back and Stay", "That's the Way Love Is" as part of a duet with Alison Moyet, and "Everytime You Go Away". For the next hour and a half, the following performances were made:
Bryan Adams - 12:01 EDT / 17:01 BST (Philadelphia)
"Kids Wanna Rock"
"Summer of '69"
"Tears Are Not Enough"
"Cuts Like a Knife"
U2 - 12:19 EDT / 17:19 BST (London)
"Sunday Bloody Sunday"
"Bad" (w/snippets of "Satellite of Love", "Ruby Tuesday", "Sympathy for the Devil" and "Walk on the Wild Side")
The Beach Boys - 12:39 EDT / 17:39 BST (Philadelphia)[5]
"California Girls"
"Help Me, Rhonda"
"Wouldn't It Be Nice"
"Good Vibrations"
"Surfin' U.S.A."
Dire Straits - 13:00 EDT / 18:00 BST (London)
"Money for Nothing" (with Sting)
"Sultans of Swing"
George Thorogood and the Destroyers - 13:26 EDT / 18:26 BST (Philadelphia)
"Who Do You Love?" (with Bo Diddley)
"The Sky Is Crying"
"Madison Blues" (with Albert Collins)
Freddie Mercury and Brian May performing at Live Aid at Wembley Stadium. |
Simple Minds - 14:05 EDT / 19:05 BST (Philadelphia)
"Ghost Dancing"
"Don't You (Forget About Me)"
"Promised You a Miracle"
David Bowie - 14:23 EDT / 19:23 BST (London)
"TVC 15"
"Rebel Rebel"
"Modern Love"
"Heroes"
Pretenders - 14:41 EDT / 19:41 BST (Philadelphia)
"Time the Avenger"
"Message of Love"
"Stop Your Sobbing"
"Back on the Chain Gang"
"Middle of the Road"
The Who - 14:59 EDT / 19:59 BST (London)
"My Generation"
"Pinball Wizard"
"Love, Reign o'er Me"
"Won't Get Fooled Again"
Santana with Pat Metheny - 15:21 EDT / 20:21 BST (Philadelphia)
"Brotherhood"
"Primera Invasion"
"Open Invitation"
"By the Pool"
"Right Now"
After The Who (with Phil Collins on drums) had finished up their set list, Bob Geldof walked on stage to introduce the next artist.
"This could be the most important performance of the entire concert, let alone the entirety of rock music history," he said. "So, please let me introduce to you, the act you've known for all these years..." He paused for dramatic effect; there was some scattered chuckling at the reference Geldof had just made, but they were drowned out by unstoppable clapping and screaming the moment he said their name...
"THE BEATLES!"
Paul McCartney performing with the Beatles at Live Aid at Wembley. |
The next song of the Beatles' setlist was George's vocal spot "Something". Backstage, the Beatles' families were watching the performance on the television set. Olivia had the biggest smile out of the Beatles' wives; although the song had been written back when George was married to Pattie Boyd, it didn't make the song any less resonant to her.
Back on the stage, Paul had put down his bass guitar and sat at the piano to perform the next number. "This song's a little something that we played twenty years ago," he told the crowd as he played the first chords. "Since this little number came out, God knows how many people have performed it, and I think you can guess what it is by the first lyric... Yesterday, all my troubles seemed so far away..."
For the rest of the song, the crowd sang along with Paul. They cheered again as "Yesterday" drew to a close, and John picked up the acoustic guitar to perform the next song.
"This little number is dedicated to all the people we've met over the years, including those who are no longer with us," he said. "I would also like to dedicate it to a few very special people, wherever you are and even if you're not watching..."
Aunt Mimi was at home watching Live Aid on television and smiled; even though John wasn't here with her right now, she knew exactly who he was referring to. As did Madeline, watching the performance with the rest of the Beatles' families as John sang "In My Life".
"In my life... I love you more..." As the song drew to a close, the crowd once again began cheering loudly as the number of donations to support Ethiopia began to triplicate.
"For those who've not done anything yet," called John, "let's come together and donate what we can to help all the people of Ethiopia in their fight against famine!"
"Just standing here and playing with the guys," added Paul, "it's an amazing feeling, especially in fighting a cause that we all wished did not exist."
"This is a big deal, what we're doing right now," said George. "The world's watching us and they need to contribute to Live Aid."
"Peace and love, wherever you are!" finished Ringo. "Come on, everybody! Let's bring the house down!"
That was when the Beatles began the last song in their set, "With a Little Help from My Friends". Once again, the crowd was singing along, even during the extended outro to the song that transitioned towards "The End".
"And in the end... the love you take... is equal to the love you make..."
If the crowd wasn't in a frenzy before, they certainly were now! All four Beatles walked to the front of the stage together, arm in arm, and bowed before the crowd before leaving the stage again, feeling a strong sense of satisfaction with their performance. Meanwhile, back in Philadelphia, Ashford & Simpson (15:57 EDT; 20:57 BST) performed "Solid" and "Reach Out and Touch (Somebody's Hand)", the latter of which was performed with Teddy Pendergrass.
Elton John performing at Live Aid at Wembley. |
With just fifteen minutes left for the Wembley performance, Freddie Mercury and Brian May (16:48 EDT; 21:48 BST) returned to the stage to perform "Is This the World We Created...?".
"Thank you very much," said Freddie after the song came to an end. "And now a man with glasses will return to the stage, and I think you can tell who he is! Ah, there he is now!"
"Thank you, Freddie," said John Lennon as he walked onto the stage again and to the piano. "There's still time left to donate, so let's fight against poverty not just in Ethiopia, but in the entire world! Every action is needed so we can... Well, you know what this next number's about, don't you?"
And that was when John began to play "Imagine" before transitioning to "Give Peace a Chance", being backed by David Bowie, Bob Geldof, Alison Moyet and Roger Waters.[7] The Wembley Stadium portion of Live Aid came to a close with Band Aid singing "Do They Know It's Christmas?", a song composed by Bob Geldof and Midge Ure telling listeners about the Ethiopia famine.
"Thank you, everybody!" called Bob as the performance came to an end. "That's the end of our show, you've been a fantastic audience! Thank you, and good night! Over to you, Philadelphia!"
July 13 and 14, 1985
John F. Kennedy Stadium - 17:00 to 23:00 EDT (22:00 to 4:00 BST)
Tom Petty performing with Mudcrutch at Live Aid at John F. Kennedy Stadium. |
Neil Young - 18:06 EDT / 23:06 BST
"Sugar Mountain"
"The Needle and the Damage Done"
"Helpless"
"Nothing Is Perfect (In God's Perfect Plan)"
"Powderfinger"
The Power Station - 18:42 EDT / 23:42 BST
"Murderess"
"Get It On"
Thompson Twins - 19:21 EDT / 0:21 BST
"Hold Me Now"
"Revolution" (with Madonna, Steve Stevens and Nile Rodgers)
Eric Clapton - 19:38 EDT / 0:38 BST
"White Room"
"She's Waiting"
"Layla"
Robert Plant and Jimmy Page playing with the Yardbirds at Live Aid at John F. Kennedy Stadium. |
Shortly following Badfinger was the Yardbirds (20:10 EDT; 1:10 BST) performing "Rock and Roll", "Whole Lotta Love" and "Stairway to Heaven"[9]. Marvin Gaye (20:39 EDT; 1:39 BST) came next with "What's Going On" and his newest hit, "Dodging a Silver Bullet"[10].
Duran Duran - 20:46 EDT / 1:46 BST
"A View to a Kill"
"Union of the Snake"
"Save a Prayer"
"The Reflex"
Patti LaBelle - 21:20 EDT / 2:20 BST
"New Attitude"
"Imagine"
"Forever Young"
"Stir It Up"
"Over the Rainbow"
"Why Can't I Get It Over"
Hall & Oates - 21:50 EDT / 2:50 BST
"Out of Touch"
"Maneater"
"Get Ready" (with Eddie Kendricks)
"Ain't Too Proud to Beg" (with David Ruffin)
"The Way You Do the Things You Do"
"My Girl" (with Eddie Kendricks and David Ruffin)
Ronnie Wood, Bob Dylan and Keith Richards performing at Live Aid at John F. Kennedy Stadium. |
Outside of JFK and Wembley Stadiums, various other countries were pitching in to help the cause, such as Australia (Oz for Africa), Japan (Off Course, Eikichi Yazawa, Motoharu Sano and Meiko Nakahara), the Netherlands (B.B. King) and West Germany (Band für Afrika), with Cliff Richard even making a performance in the United Kingdom with "A World of Difference". Deep Purple was originally going to perform via satellite from Switzerland, but they pulled out as Ritchie Blackmore wanted nothing to do with the performance.
END OF PHASE THREE
Footnotes
- Adam Ant played "Vive Le Rock". He later criticized Live Aid and regretted performing it. "It was the end of rock 'n' roll," he commented. In addition, as Rick Allen didn't lose his arm in his car accident in TTL, Def Leppard is able to perform, accepting Bob Geldof's invitation, which also happened in OTL, but they declined as they were waiting for Allen to recover.
- The Hooters played "And We Danced" and "All You Zombies". In addition, Bruce Springsteen had declined to take part in Live Aid despite his popularity at the time, although he would come to regret this decision.
- Bryan Ferry played "Sensation", "Boys and Girls", "Slave to Love" and "Jealous Guy" with David Gilmour on guitar. Pink Floyd's setlist is the exact same as that from when they performed at Live 8 in 2008.
- Roger Waters' quote at Live 8 taken verbatim.
- A one-off reunion with Dennis Wilson, who is still living by 1985.
- Elton John's final song in his setlist was a cover of Marvin Gaye's "Can I Get a Witness".
- Paul McCartney played "Let It Be". In addition, Pete Townshend played alongside David Bowie, Bob Geldof and Alison Moyet for the performance.
- Phil Collins played "Against All Odds" and "In the Air Tonight" after flying out to Philadelphia to play a short solo set there, having also played alongside Eric Clapton for his solo set.
- Phil Collins played drums for Led Zeppelin shortly after playing his solo set in Philadelphia.
- Crosby, Stills, Nash & Young played "Only Love Can Break Your Heart" and "Daylight Again/Find the Cost of Freedom".
Author's Comments
And so concludes Phase Three of Strawberry Peppers, as well as the first draft altogether! After a period of over thirty months and eighty chapters, I never imagined I'd get this done, as writer's block and unintentional abandonment are very much the bane of every alternate universe writer, I'd imagine. Still, hopefully I managed to do this finale justice and ended things on a strong note. I did have to gloss over some performances by listing who performed what, sticking mostly to what happened in OTL, with changes made to accommodate the butterflies that have occurred in the past twenty years. The Beatles' performance, of course, was the piece de resistance, hence it has the most focus out of the performances listed.
The first draft may be over, but there's still a few more posts to go, beginning with a standalone post showing my own version of Let It Be that'll come out this Friday. After that will be a new 1985 album for the Clash as part of an Extra Scene (remember those?) along with an information post about the DC Appleverse. Following that will be part four of An Alternative Beatles Discography - No Covers, focusing on the 1984-2009 period, and then what I have in mind for The Second Coming. Make sure to keep an eye out for those!
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