Monday, July 8, 2024

The Second Coming - The Beatles' "Inclinations" (1991)

It's always like that, isn't it? You think something that you've finished up is definitive, but then somewhere, in the back of your mind, whatever you've been working on suddenly decides to take a left turn and go in a direction you weren't expecting. Yep, it's happened to me again, only this time, another Beatles album for Strawberry Peppers: The Second Coming, but coming out in 1991. An album titled Inclinations.

Consider this post a "patch" of sorts to the one I made regarding the 1981-2002 Beatles albums back in March, but with some retconning.

Inclinations (November 8, 1991)
Side A (19:12)
1. Here We Go Again - 4:50 (Menlove Ave.)
2. Looking for Changes - 2:47 (Off the Ground)
3. The Light That Has Lighted the World - 3:31 (Living in the Material World)
4. Not for Love, Nor Money - 2:39 (unreleased John Lennon demo)
5. Cryin' - 3:18 (Ringo’s Rotogravure)
6. Put It There - 2:07 (Flowers in the Dirt)

Side B (20:22)
7. Who Can See It - 3:52 (Living in the Material World)
8. Hold On - 1:52 (John Lennon/Plastic Ono Band)
9. Big Boys Bickering - 3:22 (Off the Ground: The Complete Works)
10. Rocking Chair in Hawaii - 3:08 (Brainwashed)
11. Well Well Well - 5:59 (John Lennon/Plastic Ono Band)
12. Great Day - 2:09 (Flaming Pie)

The Beatles entered the 1990s with a dark cloud looming over them; it was just last month that John Lennon had narrowly avoided an assassination attempt, but at the cost of the life of their roadie Mal Evans, who had been working with the band for twenty-six years. John, feeling like it was his fault for Mal's death, had gone into seclusion, and it was this isolated period that would inspire his solo album Lost, released in January 1991.

The first release by the Beatles for the new decade was their fourth compilation album, The Best of the Beatles: 1976-1989, otherwise nicknamed "The Orange Album" due to its border, following after 1962-1966/Red, 1967-1969/Blue and 1970-1975/Green, released May 25. Two months later, this would be followed up by their first song of the 1990s, a re-recording of Paul McCartney and Elvis Costello's "My Brave Face", having previously appeared on their Flowers in the Dirt album from 1989. Subtitled as the "Nobody's Child Version", it made an appearance on the Nobody's Child: Romanian Angel Appeal compilation, which also included the Traveling Wilburys' version of "Nobody's Child". The song had also been recorded by the Beatles with Tony Sheridan back in 1961 in Hamburg.

Bolstered by the recording of "My Brave Face (Nobody's Child Version)", as well as the release of Lost, John Lennon had fully re-entered the spotlight, joining the other Beatles for an appearance on MTV Unplugged. It would be their second live album of the decade, following last year's Tripping the Live Fab, and it served to wet the fans' appetites for a new Beatles album, which would be released in November, close to the Christmas season.

That May, John Lennon had joined Apple Records' latest signing, American grunge band Nirvana, into co-producing their second album, Nevermind, which would come out in September and boost Nirvana into superstardom. John would see a bit of himself in Nirvana's frontman Kurt Cobain, even acting as a mentor to the young Seattle guitarist. Working on Nevermind would go on to inspire John in having the Beatles' next album take a more stripped back approach following Return to Pepperland, calling back to the acoustic sound of The Beatles I/White, but with influences from folk, country and punk.

The resultant album, Inclinations, would take around six weeks to record between July and August. Several songs were said to have been written many years ago, such as "Who Can See It", "Great Day", "Cryin'", "Not for Love, Nor Money", "Rocking Chair in Hawaii" and "Here We Go Again", with a few newer songs, mainly from Paul, like "Put It There" and "Big Boys Bickering", which was the second time that "fucking" would be used in a Beatles song, following "Working Class Hero" from 1971's Imagine. Since many of the songs on the album were leftovers, it was appropriate then to use a title that had never been used for a Beatles album; Inclinations was said to have been used as a working title for one of their 1960s albums, but it is not certain which one.

Inclinations was released on November 8, 1991 and only managed to peak at #3 in the United States, being beaten out by Nirvana's Nevermind and Michael Jackson's Dangerous, the latter of which also came out later that same month. That may be considered a failure by Beatles standards, especially since the album's sole single, "Put It There", just barely made the Top 20 there for a single week. Truthfully, though, it was just a case of unfortunate timing that hurt Inclinations' chance of success on the charts, but by its twentieth anniversary in 2011, it would be vindicated with many fans calling it one of the Beatles' more underrated albums, wishing that they'd done another like it.

1992 would see the release of Ringo Starr's Time Takes Time and Paul McCartney's Off the Ground, and the Beatles' follow-up to Inclinations, Cloud Nine, would be released on July 2, 1993, having a more polished sound, albeit reviews weren't as strong despite reaching #1. The album would be accompanied by a worldwide tour taking place up to 1994, and it would be regarded as the Beatles' biggest tour up until that point. 1995 saw the release of the Anthology documentary, and into 1996, six albums would be released in conjunction, each focusing on a different period of the Beatles' recording history. The next new Beatles album, Flaming Pie, came out in May 1997, and despite being kept off the top spot by the Spice Girls' Spice, it would receive many glowing reviews, with some calling it a true return to the classic Beatles sound.

Monday, June 17, 2024

The Second Coming - Paul McCartney Solo Discography (1972-2007)

I've had this on a document for a while, but never found the time to post it until now. This is the solo discography of Paul McCartney while he was active as a member of the Beatles in Strawberry Peppers: The Second Coming, as well as the first two albums he made after their split in 2004.

Wild Life (May 15, 1972)
Side A (22:41)
1. Oo You - 2:48 (McCartney)
2. Smile Away - 3:51 (Ram)
3. Ram On - 3:00 (Ram)
4. Oh Woman, Oh Why - 4:36 (Ram)
5. Wild Life/Can You Take Me Back - 5:14 (Wild Life; edit/The White Album)
6. Man We Was Lonely - 2:56 (McCartney)

Side B (22:11)
7. Heart of the Country - 2:21 (Ram)
8. Monkberry Moon Delight - 5:21 (Ram)
9. I Am Your Singer - 2:15 (Wild Life)
10. Long Haired Lady - 5:54 (Ram)
11. Little Lamb Dragonfly - 6:20 (Red Rose Speedway)

As I mentioned in a previous post, TTL's Wild Life is the equivalent to OTL's Ram as a forerunner in indie pop music. The only real changes I've made was by shortening the title track and following it up with "Can You Take Me Back" as an unlisted interlude, as well as substituting "Maxwell's Silver Hammer" for "I Am Your Singer". Otherwise, not that many changes from when I first made this two years ago.

Red Rose Speedway (April 30, 1973)
Side A (20:43)
1. Night Out - 2:16 (Red Rose Speedway)
2. My Love - 4:07 (Red Rose Speedway)
3. Bluebird - 3:23 (Band on the Run)
4. Mama's Little Girl - 3:41 (Wild Life)
5. Tragedy - 3:21 (Red Rose Speedway)
6. Some People Never Know - 3:55 (Wild Life; edit)

Side B (21:26)
7. Loup (1st Indian on the Moon) - 4:23 (Red Rose Speedway)
8. Mamunia - 4:51 (Band on the Run)
9. Little Woman Love - 2:11 (Wild Life)
10. Single Pigeon - 1:52 (Red Rose Speedway)
12. Country Dreamer - 3:09 (Red Rose Speedway)
12. Hands of Love/Power Cut - 5:00 (Red Rose Speedway; edit)

I've done a significant amount of changes to TTL's equivalent to Red Rose Speedway. "When the Night" and "Love is Strange" were both done away with, and the closing medley is cut down to just "Hands of Love" and "Power Cut". I'm open to suggestions of further tweaks in the track listing, given the quantity of material Paul had in 1972 and 1973.

West 119th and Forthlin (April 11, 1977)
Side A (19:15)
1. My Carnival - 3:59 (Venus and Mars)
2. You've Lost That Lovin' Feeling - 3:55 (Made in California)
3. She's My Baby - 3:08 (Wings at the Speed of Sound)
4. Sherry She Needs Me - 2:53 (Made in California)
5. That Same Song - 2:16 (15 Big Ones)
6. Love in Song - 3:04 (Venus and Mars)

Side B (20:03)
7. Solar System - 2:49 (The Beach Boys Love You)
8. Magneto and Titanium Man - 3:16 (Venus and Mars)
9. Let's Put Our Hearts Together - 2:14 (The Beach Boys Love You)
10. Listen to What the Man Said - 3:57 (Venus and Mars)
11. Treat Her Gently/Lonely Old People - 4:21 (Venus and Mars)
12. Still I Dream of It - 3:26 (Good Vibrations: Thirty Years of the Beach Boys)

One of the earliest Paul solo albums that I've worked on for The Second Coming, this is a collaboration with Brian Wilson, with the album's title coming from their respective childhood streets. All of Paul's contributions are holdovers that he wrote during 1975 and 1976, but never had the chance to include on a Beatles album. And as for Brian, his contributions are those that he recorded with the Beach Boys during that same timeframe, but not included on any of their albums.

Out of the Beach Boys outtakes, "You've Lost That Lovin' Feeling" is a cover of the Righteous Brothers. "Sherry She Needs Me" was recorded back in 1965 for Summer Days (And Summer Nights!!), and was even considered for The Beach Boys Love You, but didn't make the cut. It was eventually re-recorded for Brian's solo Imagination in 1998. "Still I Dream of It" was recorded in 1977 for the never-released Adult/Child. "That Same Song", "Solar System" and "Let's Put Our Hearts Together" are all officially released, with the latter being a duet with Brian's then-wife Marilyn.

Also, yes; the names being juxtaposed with the photos of Paul and Brian in their youth was intentional. I just think it looks cooler that way.

Water Works (November 11, 1977)
Side A (21:34)
1. I've Had Enough - 3:02
2. Café on the Left Bank - 3:25
3. Don't Let It Bring You Down - 4:34
4. London Town - 4:10
5. Backwards Traveller/Cuff Link - 3:10
6. With a Little Luck - 3:13 (Wingspan: Hits and History)

Side B (22:37)
7. Girls' School - 4:38
8. Famous Groupies - 3:34
9. San Ferry Anne - 2:07 (Wings at the Speed of Sight)
10. Name and Address - 3:07
11. I'm Carrying - 2:44
12. Morse Moose and the Grey Goose - 6:27

Essentially, a re-arranged London Town with the majority of the songs intact. Both "Children Children" and "Deliver Your Children" are cut due to both being sung by Denny Laine (although he's still involved as a session musician), and their spots are taken up by "Girls' School" and "San Ferry Anne". As "Mull of Kintyre" is now a Beatles song, "With a Little Luck" is now Water Works' big single, although "Girls' School" does give the album a bit more rock credibility. "Girlfriend" is dropped altogether as I figure Paul would've recorded a version to give to Michael Jackson as a reference. It's better off an MJ song, anyway.

Back to the Egg (December 1, 1978)
Side A (20:59)
1. We're Open Tonight - 1:28
2. Getting Closer - 3:22
3. Spin It On - 2:12
4. Arrow Through Me - 3:37
5. Cage - 3:08 (unreleased)
6. To You - 3:12
7. After the Ball/Million Miles - 4:00

Side B (22:24)
8. Reception - 1:08
9. Rockestra Theme - 2:35
10. Old Siam, Sir - 4:11
11. Daytime Nighttime Suffering - 3:23
12. Winter Rose/Love Awake - 4:58
13. So Glad to See You Here - 3:20
14. Baby's Request - 2:49

This is actually the re-sequenced version of Back to the Egg as done by Moondog385 on YouTube, but with the exclusion of Denny's "Again and Again and Again", making it a purely Paul solo album. Like Moondog's version, "Goodnight Tonight" is a non-album track, but it appears on CD as a bonus.

Coming Up (February 15, 1980)
Side A (16:17)
1. Coming Up - 3:53
2. Front Parlour - 3:32
3. On the Way - 3:38
4. Mr. H Atom - 2:22
5. Nobody Knows - 2:52

Side B (18:25)
6. Temporary Secretary - 3:14
7. Secret Friend - 5:14 (The 7" Singles Box)
8. Summer's Day Song - 3:25
9. You Know I'll Get You Baby - 3:33
10. Bogey Wobble - 2:59

Side C (16:17)
11. Check My Machine - 5:50 (B-side edit)
12. Waterfalls - 3:20 (DJ edit)
13. Frozen Fuji - 3:40
14. Bogey Music - 3:27

Side D (16:10)
15. Darkroom - 2:20
16. One of These Days - 3:35
17. All You Horse Riders - 3:48
18. Blue Sway - 6:27

And here's another album that takes inspiration from Moondog385! My take on McCartney II (now retitled Coming Up) takes cues from both his re-sequencing of the album and Paul's planned track listing for when it was planned to be a double album before being pruned down into a single instead.

Side A follows Moondog's sequence precisely, and interestingly enough, "Coming Up", "On the Way" and "Nobody Knows" are retained as tracks 1, 3 and 5, respectively, on the original album! Side B is based upon Paul's original sequencing, starting with "Temporary Secretary" and ending with "Bogey Wobble". Taking another cue from Moondog, "Secretary" is followed up by a five-minute edit of "Secret Friend", filling the gap left behind by "On the Way" and "Mr. H Atom", now on Side A.

On Paul's original track listing, "Check My Machine" and "Waterfalls" (both of which are shortened edits) kick off Side D. On Moondog's, they begin Side C - and therefore, disc two - followed by "Frozen Fuji" and "Bogey Music"; on both track listings, the latter also ends Side C. Side D starts with "Darkroom" and "One of These Days" (again, on Paul's original listing, they start Side C instead) before concluding the album with "All You Horse Riders" and "Blue Sway". On Moondog's version, the final two are swapped around. As "Blue Sway" is the only song that goes on longer than six minutes, I felt that it should be the finale to the album.

And, in another instance of interesting events, "Frozen Fuji", "Bogey Music", "Darkroom" and "One of These Days" all follow their original track listing order on the official album! Now that "Front Parlour" and "Summer's Day Song" are moved up, all the instrumentals are given a chance to breathe properly, and the album doesn't suffer from front-loading (in which case, all the strong tracks are on Side A, and Side B feels like it was padded out; the original McCartney album was more thoughtfully sequenced by spreading out its instrumentals).

Now that every track from the McCartney II sessions has been included, and by utilizing a few edits, my re-sequencing runs at a little over 67 minutes, slightly shorter than OTL's Driving Rain.

There's a four-year gap between Paul solo albums in TTL, with his only major contribution in that time being a duet single with Stevie Wonder, "Ebony and Ivory" and "What's That You're Doing". A solo version of the former ends up on the Beatles' Anthology 6, and both sides end up being bonus tracks for the next album. And on that note...

Give My Regards to Broad Street (October 22, 1984)
Side A (22:54)
1. No More Lonely Nights - 4:42 (Give My Regards to Broad Street)
2. Average Person - 4:33 (Pipes of Peace)
3. Somebody Who Cares - 3:19 (Tug of War)
4. I Love This House - 3:41 (Flaming Pie)
5. Dress Me Up as a Robber - 2:41 (Tug of War)
6. The Other Me - 3:58 (Pipes of Peace)

Side B (21:54)
7. We Got Married - 4:57 (Flowers in the Dirt)
8. Sweetest Little Show - 2:54 (Pipes of Peace)
9. I'll Give You a Ring - 3:09 (Tug of War; 2015 bonus track)
10. No Values - 4:12 (Give My Regards to Broad Street)
11. Rainclouds - 3:13 (Tug of War; 2015 bonus track)
12. Through Our Love - 3:28 (Pipes of Peace)

Instead of being an album of re-recordings of Beatles and Wings tracks, TTL's Give My Regards to Broad Street is a more serious album of originals. It now includes leftover tracks from the Tug of War and Pipes of Peace sessions from OTL, along with some newly recorded songs such as "I Love This House" and "We Got Married". Why such an approach was never taken in OTL, I'll never know. Maybe Paul could've had the songs for Broad Street (plus a couple of more songs from the same time period) on one side with songs meant for Rupert the Bear on the other?

Speaking of which, "We All Stand Together" is not included as it would've been very out of place, but it does end up as a bonus track on CD along with "Ebony and Ivory" and "What's That You're Doing".

Press to Play (August 25, 1986)
Side A (22:48)
1. Stranglehold - 3:36
2. Good Times Coming/Feel the Sun - 4:44
3. Footprints - 4:32
4. Pretty Little Head - 5:14
5. Tough on a Tightrope - 4:42

Side B (22:38)
6. Press - 4:43
7. Talk More Talk - 5:18
8. Angry - 3:36
9. Move Over Busker - 4:05
10. However Absurd - 4:56

Once again, taking a leaf out of Moondog385's book, I've utilized the track listing for his re-sequenced Press to Play, but excluding "Lindiana" (since Paul doesn't marry Linda in TTL) and "Only Love Remains" (which has already found a home on the Beatles' Return to Pepperland). "It's Not True", "Write Away" and "Once Upon a Long Ago" are all bonus tracks for the CD release. An outtake from the same era, "Loveliest Thing", would also end up as a bonus track, but as a part of the main track listing between "Angry" and "Move Over Busker", sort of a "Helen Wheels" situation for OTL's Band on the Run.

Flowers in the Dirt (January 27, 1989)
Side A (20:58)
1. My Brave Face - 2:40 (Flowers in the Dirt; demo)
2. You Want Her Too - 2:40 (Flowers in the Dirt; demo)
3. Veronica - 3:03 (Spike; demo)
4. Mistress and Maid - 2:28 (Flowers in the Dirt; cassette demo)
5. Tommy's Coming Home - 4:10 (Flowers in the Dirt; demo)
6. Twenty Fine Fingers - 2:28 (Flowers in the Dirt; demo)
7. So Like Candy - 3:29 (Flowers in the Dirt; demo)

Side B (21:38)
8. Shallow Grave - 2:14 (Flowers in the Dirt; cassette demo)
9. The Lovers That Never Were - 3:58 (Flowers in the Dirt; demo)
10. I Don't Want to Confess - 2:21 (Flowers in the Dirt; cassette demo)
11. Don't Be Careless Love - 3:44 (Flowers in the Dirt; demo)
12. That Day is Done - 4:16 (Flowers in the Dirt; demo)
13. Pads, Paws and Claws - 2:08 (Spike; demo)
14. Playboy to a Man - 2:57 (Flowers in the Dirt; demo)

The fabled McCartney/Costello sessions, now put together into an album! I used The Reconstructor's take on this from earlier in the year as a reference, but instead of simply following the order of the demos on the Archive Collection reissue, I also used their official positions on the respective track listings for Flowers in the Dirt, Off the Ground, Spike, Mighty Like a Rose and All This Useless Beauty for reference. In my mind, "My Brave Face" is the ideal lead-off track, so why mess with it? The album still ends with "Playboy to a Man", mostly because I couldn't think of a better closer. It's also the track that appears the latest on any of the albums, so fair's fair, I think.

"Back on My Feet", mostly written by Paul with some contribution from Elvis, is a bonus track.

Off the Ground (August 21, 1992)
1. Off the Ground - 3:40 (Off the Ground)
2. Style Style - 6:01 (Off the Ground: The Complete Works)
3. I Owe It All to You - 4:51 (Off the Ground)
4. Distractions - 4:38 (Flowers in the Dirt)
5. Keep Coming Back to Love - 5:01 (Off the Ground: The Complete Works)
6. I Can't Imagine - 4:40 (Off the Ground: The Complete Works)
7. Same Love - 3:55 (Flaming Pie)
8. Down to the River - 3:32 (Off the Ground: The Complete Works)
9. Peace in the Neighborhood - 5:06 (Off the Ground)
10. Kicked Around No More - 5:29 (Off the Ground: The Complete Works)
11. Golden Earth Girl - 3:45 (Off the Ground)
12. The First Stone - 4:06 (Flowers in the Dirt)
13. Get Out of My Way - 3:32 (Off the Ground)
14. How Many People - 4:14 (Flowers in the Dirt)
15. Winedark Open Sea - 5:27 (Off the Ground)
16. Don't Break the Promise - 3:39 (Flaming Pie)
Total length: 71:36

So much from the official Flowers in the Dirt had been spread out onto previous albums, including three Beatles albums, which left me with a few official tracks plus some B-sides. Out of the leftovers, I included "Distractions" and "How Many People", as well as "The First Stone", "Same Love" and "Don't Break the Promise". Paul seemed to think very highly of them, so why the latter three weren't put forth for inclusion, I'll never understand.

As well as moving "Looking for Changes", "Big Boys Bickering", "Hope of Deliverance", "Biker Like an Icon" and "C'mon People" onto the 1991 and 1993 Beatles albums, that meant some re-arranging had to be done for what was left over. There were close to twenty contenders for Off the Ground, which meant that I had to make some cuts to keep things down to a reasonable length for both vinyl and CD formats; in the former case, it's a double album, but for the latter, it's a single. Once again, I've used Moondog385's re-sequencing of Off the Ground for reference, as well as that of Flowers in the Dirt for the remaining tracks.

"Flying to My Home" is a non-album B-side; there wasn't a good enough place for it.

Rock 'n' Roll (October 4, 1999)
1. Blue Jean Bop - 1:57 (Run Devil Run)
2. To Know Her is to Love Her - 4:31 (Rock 'n' Roll)
3. No Other Baby - 4:18 (Run Devil Run)
4. Rip It Up/Ready Teddy - 1:33 (Rock 'n' Roll)
5. Lawdy, Miss Clawdy - 3:17 (Choba B CCCP)
6. Be My Baby - 4:32 (John Lennon Anthology)
7. Movie Magg - 2:12 (Run Devil Run)
8. Bony Moronie - 3:47 (Rock 'n' Roll)
9. Shake a Hand - 3:52 (Run Devil Run)
10. Peggy Sue - 2:06 (Rock 'n' Roll)
11. That's All Right Mama - 3:47 (Choba B CCCP)
12. Angel Baby - 3:44 (Rock 'n' Roll)
13. Party - 2:38 (Run Devil Run)
14. Just Because - 4:25 (Rock 'n' Roll)
Total length: 46:39

TTL's equivalent to Run Devil Run, in which it's a duet album by John Lennon and Paul McCartney under the pseudonym of the Nerk Twins, an identity they also used for their only gig as a duet in 1960. Not much else to comment on there.

The Songs We Were Singing (June 18, 2001)
1. The Song We Were Singing - 3:54 (Flaming Pie)
2. Lonely Road - 3:16 (Driving Rain)
3. If You Wanna - 4:37 (Flaming Pie)
4. She's Given Up Talking - 4:57 (Driving Rain)
5. I Do - 2:56 (Driving Rain)
6. Try Not to Cry - 2:41 (Run Devil Run)
7. Magic - 3:59 (Driving Rain)
8. Used to Be Bad - 4:12 (Flaming Pie)
9. Souvenir - 3:40 (Flaming Pie)
10. What It Is - 2:23 (Run Devil Run)
11. Spinning on an Axis - 5:16 (Driving Rain)
12. Riding into Jaipur - 4:08 (Driving Rain)
Total length: 45:59

Since the majority of Flaming Pie was already utilized for the Beatles or, in the case of "Great Day", used on another Paul solo project, I took whatever was left and combined them with some tracks out of Driving Rain, as well as the remaining original songs from Run Devil Run. I had to read up on the songs from Driving Rain to see which ones were about Heather Mills, and a good chunk of them were excluded, since in TTL, Paul remains married to Jane Asher. The Songs We Were Singing is Paul's final solo album released while he was still a Beatle.

Chaos and Creation in the Studio (March 11, 2005)
1. Growing Up, Falling Down - 3:27 (non-album B-side)
2. Fine Line - 3:05 (Chaos and Creation in the Backyard)
3. Only Mama Knows - 4:17 (Memory Almost Full)
4. Jenny Wren - 3:47 (Chaos and Creation in the Backyard)
5. At the Mercy - 2:38 (Chaos and Creation in the Backyard)
6. A Certain Softness - 2:42 (Chaos and Creation in the Backyard)
7. You Tell Me - 3:15 (Memory Almost Full)
8. Too Much Rain - 3:24 (Chaos and Creation in the Backyard)
9. Vintage Clothes/That Was Me/Feet in the Clouds - 8:24 (Memory Almost Full)
10. Promise to You Girl - 3:10 (Chaos and Creation in the Backyard)
11. House of Wax - 4:59 (Memory Almost Full)
12. The End of the End - 2:57 (Memory Almost Full)
Total length: 46:07

And now we enter Paul's career post-Beatles! I view Chaos and Creation in the Backyard and Memory Almost Full as sister albums, since some songs from the latter were recorded before many from the former album, which made me wonder what it'd sound like if songs from both albums were released together. This was the result, as I mainly focused on those that were recorded in 2004, assuming a spring 2005 release. "Friends to Go" is not included on this album or the next, since in TTL, George is still living by that point.

Memory Almost Full (June 4, 2007)
1. Dance Tonight - 2:54
2. Ever Present Past - 2:57
3. How Kind of You - 4:47 (Chaos and Creation in the Backyard)
4. See Your Sunshine - 3:20
5. English Tea - 2:12 (Chaos and Creation in the Backyard)
6. Nod Your Head - 1:58
7. Mr. Bellamy - 3:39
8. Riding to Vanity Fair - 5:07 (Chaos and Creation in the Backyard)
9. Follow Me - 2:31 (Chaos and Creation in the Backyard)
10. Why So Blue - 3:11
11. This Never Happened Before - 3:24 (Chaos and Creation in the Backyard)
12. Comfort of Love - 3:09 (non-album B-side)
13. Anyway - 3:52 (Chaos and Creation in the Backyard)
14. This Loving Game - 3:15 (non-album B-side)
Total length: 46:22

Part two from above, this time focusing on those from 2006 and 2007, with a few hold overs that didn't quite fit Chaos and Creation in the Studio. The only other song between both albums that was cut altogether was "Gratitude". I might make a personal playlist featuring my favorite songs from both albums and dub it Memory in the Backyard; that'd be absolute killer, I think!

So overall, across 35 years, Paul McCartney in Strawberry Peppers: The Second Coming has released fourteen solo albums, three of which are collaborations with Brian Wilson (West 119th and Forthlin), Elvis Costello (Flowers in the Dirt) and, of course, John Lennon (Rock 'n' Roll). Coincidentally, each of those collaborations was across three consecutive decades. I haven't included New onwards since I'm not fully sure how those will turn out, given Paul's sporadic output in recent years; I figure that Kisses on the Bottom would be largely the same, since that's a covers album of jazz standards. I'm open to suggestions for how this TTL's equivalents to New, Egypt Station and McCartney III could turn out!

Monday, May 13, 2024

Anthology 3 - Expanded Edition

Here's something a little different from me; what if Anthology 3 had received an expanded reissue to go along with the release of "Now and Then"? Considering that the song in question had been intended for Anthology 3 before George Harrison put it on ice, calling it "fucking rubbish", as well as what was included on the 50th anniversary releases of The White Album, Abbey Road and Let It Be, it would've made much better sense to rework Anthology 3 by expanding upon it and maybe adding in a few outtakes that weren't included on that or any of the special edition releases.

And yes, I'm aware that there's another expanded Anthology 3 out there on the internet, but I made my own track listing long before I ever found out about it. My version of Anthology 3: Expanded Edition mainly includes outtakes that were officially released. I've used the original track listing as a basis and then filled the gaps wherever needed. The only tracks that I excluded were the Esher demos that were recorded following the Beatles' India trip. I think they work just fine as their own thing as disc three of The Beatles: 50th Anniversary Edition; no reason to change what isn't broken.

While the official cover will remain for Anthology 3, I'm going to be giving each disc their own cover, each featuring the Beatles during that specific time period.

Disc 1 (The White Album Sessions: May - July 1968)
1. Now and Then - 4:08 (1966, 1969, 1977, 1995 and 2022) [1967-1970]
2. Revolution 1 (Take 18) - 10:28 (5/30/68) [WA50]
3. Don't Pass Me By (Takes 3 & 5) - 2:42 (6/5-6/68) [A3]
4. A Beginning/Don't Pass Me By (Take 7) - 5:05 (6/5-6 & 7/22/68) [WA50]
5. Blackbird (Take 4) - 2:19 (6/11/68) [A3]
6. Everybody's Got Something to Hide Except Me and My Monkey (Rehearsal) - 2:43 (6/26/68) [WA50]
7. Good Night (Take 10) - 2:31 (6/28 & 7/2/68) [WA50]
8. Good Night (Take 34) - 2:38 (6/28 & 7/22/68) [A3]
9. Ob-La-Di, Ob-La-Da (Take 3) - 2:54 (7/3/68) [WA50]
10. Revolution (Take 14) - 3:25  (7/10/68) [WA50]
11. Cry Baby Cry (Take 1) - 2:46 (7/16/68) [A3]
12. Helter Skelter (Take 2) - 12:53 (7/18/68) [WA50]
13. Sexy Sadie (Take 6) - 4:07 (7/19/68) [A3]
14. Good Night (Take 22) - 3:46 (7/22/68) [WA50]
15. While My Guitar Gently Weeps (Demo) - 3:28 (7/25/68) [A3]
16. Hey Jude (Take 2) - 4:21 (7/29/68) [A3]
17. St. Louis Blues - 0:51 (7/30/68) [WA50]
Total length: 71:05

Apart from kicking off the album with "Now and Then", recorded at various points between 1977 and 2022, with additional overdubs from the 1960s, this disc covers the first half of the White Album sessions. We begin with the full length version of "Revolution 1", which also served as a basis for "Revolution 9", and end with the second take of "Hey Jude"; the first take I excluded due to wanting to keep things as concise as possible. The "St. Louis Blues" jam is included shortly afterward in a sort of "Her Majesty" situation. For each disc, I've personally cut away studio chatter if necessary to streamline the listening experience.

Disc 2 (The White Album Sessions: August - October 1968)
1. Not Guilty (Take 102) - 4:28 (8/8-9 & 12/68) [WA50]
2. Mother Nature's Son (Take 2) - 3:17 (8/9/68) [A3]
3. Yer Blues (Take 5) - 3:57 (8/13/68) [WA50]
4. What's the New Mary Jane (Take 4) - 6:12 (8/14/68) [A3]
5. Rocky Raccoon (Take 8) - 4:57 (8/15/68) [WA50]
6. Back in the U.S.S.R. (Take 5) - 3:09 (8/22/68) [WA50]
7. Dear Prudence (Vocal, Guitar & Drums) - 3:59 (8/28-30/68) [WA50]
8. Let It Be (Rehearsal) - 1:17 (9/5/68) [WA50]
9. While My Guitar Gently Weeps (Take 27) - 3:17 (9/5/68) [WA50]
10. (You're So Square) Baby I Don't Care - 0:42 (9/9/68) [WA50]
11. Glass Onion (Original Mono Mix) - 2:08 (9/11-13, 16 & 26/68) [A3]
12. I Will (Take 1) - 1:55 (9/16/68) [A3]
13. Blue Moon - 1:11 (9/16/68) [WA50]
14. Step Inside Love/Los Paranoias - 5:32 (9/16/68) [WA50]
15. Can You Take Me Back? - 2:22 (9/16/68) [WA50]
16. Birthday (Take 2) - 2:40 (9/18/68) [WA50]
17. Piggies (Take 12) - 2:10 (9/19-20/68) [WA50]
18. Happiness is a Warm Gun (Take 19) - 3:09 (9/23/68) [WA50]
19. Honey Pie (Backing Track) - 2:43 (10/1-2/68) [WA50]
20. Savoy Truffle (Backing Track) - 2:56 (10/3, 5, 11 & 14/68) [WA50]
21. Martha My Dear (Without Brass & Strings) - 2:29 (10/4/68) [WA50]
22. Long, Long, Long (Take 44) - 2:54 (10/7/68) [WA50]
23. I'm So Tired (Takes 3, 6 & 9) - 2:14 (10/8/68) [A3]
24. The Continuing Story of Bungalow Bill (Take 2) - 3:12 (10/8/68) [WA50]
25. Why Don't We Do It in the Road? (Take 4; Mono) - 2:15 (10/9/68) [A3]
26. Julia (Take 2) - 1:58 (10/13/68) [A3]
Total length: 77:03

The second half of the White Album sessions, beginning with the full-length version of "Not Guilty" and ending with take two of "Julia". There are more songs here given that so many of them are short; on disc one, "Revolution 1" and "Helter Skelter" both exceed ten minutes! There weren't that many officially released outtakes for some songs such as "Back in the U.S.S.R.", but for my purposes, it'll do. I've also noticed that some songs were not included as part of the Esher demos, most likely being worked upon or started off as jams in the studios; "Birthday", "Bungalow Bill" and "In the Road?" are likely among them, having been recorded so late in the process.

Disc 3 (Get Back/Let It Be Sessions: January 1969)
1. All Things Must Pass (Rehearsal) - 4:22 (1/3/69) [LIB50]
2. Gimme Some Truth (Rehearsal) - 1:19 (1/7/69) [LIB50]
3. I Me Mine (Rehearsal) - 1:35 (1/8/69) [LIB50]
4. She Came in Through the Bathroom Window (Savile Row Sessions) - 3:37 (1/21/69) [A3]
5. Rocker/Save the Last Dance for Me/Don't Let Me Down - 1:56 (1/22/69) [LIB50]
6. Dig a Pony (Savile Row Sessions) - 4:18 (1/22/69) [A3]
7. I've Got a Feeling (Glyn Johns Mix) - 2:53 (1/23/69) [LIB50]
8. Two of Us (Take 1) - 3:27 (1/24/69) [A3]
9. Maggie Mae/Fancy My Chances with You - 0:58 (1/24/69) [LIB50]
10. Can You Dig It? - 2:02 (1/24/69) [LIB50]
11. Teddy Boy (Savile Row Sessions) - 3:41 (1/24 & 28/69) [LIB50]
12. For You Blue (Take 1) - 2:23 (1/25/69) [A3]
13. Let It Be (Savile Row Sessions) - 4:05 (1/25/69) [A3]
14. Octopus's Garden (Rehearsal) - 1:50 (1/26/69) [LIB50]
15. Rip It Up/Shake, Rattle and Roll/Blue Suede Shoes - 3:11 (1/26/69) [A3]
16. The Long and Winding Road (Savile Row Sessions) - 3:39 (1/26/69) [LIB50]
17. Get Back (Take 8) - 3:52 (1/27/69) [LIB50]
18. Oh! Darling (Jam) - 5:19 (1/27/69) [LIB50]
19. The Walk - 0:55 (1/27/69) [LIB50]
20. Without a Song - 2:00 (1/28/69) [LIB50]
21. Mailman, Bring Me No More Blues - 1:56 (1/29/69) [A3]
22. Don't Let Me Down (First Live Performance) - 3:28 (1/30/69) [LIB50]
23. Get Back (Third Live Performance) - 3:09 (1/30/69) [A3]
24. The Long and Winding Road (Take 19) - 3:47 (1/31/69) [LIB50]
25. Let It Be (Take 28) - 4:42 (1/31/69) [LIB50]
Total length: 74:24

It feels really strange that the sessions, rehearsals and jams were spread out across two CDs, even though there was enough room to include all of them on one; it makes sense for vinyl, but on CD? A complete waste of resources. It's doubly frustrating when you consider that the Esher demos were all included on one disc without problem, and with the same number of songs, no less! That little rant aside, this disc represents what was going on at Twickenham and Apple Studios (mainly the latter) that fateful January. Of course, the bootlegs tell a far more complete picture than Let It Be: Special Edition possibly could, but compilations are all about compromises, and they'll never please everybody.

Disc 4 (Abbey Road Sessions: February 1969 - January 1970)
1. Goodbye (Demo) - 2:23 (2/?/69) [AB50]
2. I Want You (She's So Heavy) (Trident) - 6:59 (2/22/69) [AB50]
3. All Things Must Pass (Demo) - 3:05 (2/25/69) [A3]
4. Old Brown Shoe (Demo) - 3:03 (2/25/69) [A3]
5. Something (Demo) - 3:37 (2/25/69) [AB50]
6. The Ballad of John and Yoko (Take 7) - 3:37 (4/14/69) [AB50]
7. Old Brown Shoe (Take 2) - 3:15 (4/16/69) [AB50]
8. Oh! Darling (Take 4) - 3:30 (4/20/69) [AB50]
9. Octopus's Garden (Takes 2 & 8) - 2:49 (4/26/69) [A3]
10. You Never Give Me Your Money (Take 36) - 5:17 (5/6/69) [AB50]
11. Her Majesty (Takes 1-3) - 1:34 (7/2/69) [AB50]
12. Golden Slumbers/Carry That Weight (Takes 1-3) - 3:20 (7/2/69) [AB50]
13. Here Comes the Sun (Take 9) - 3:40 (7/7/69) [AB50]
14. Maxwell's Silver Hammer (Take 5) - 3:50 (7/9/69) [A3]
15. Come Together (Take 1) - 3:40 (7/21/69) [A3]
16. Come and Get It (Demo) - 2:42 (7/24/69) [AB50]
17. Ain't She Sweet - 2:08 (7/24/69) [A3]
18. Sun King/Mean Mr. Mustard (Take 20) - 4:48 (7/24/69) [AB50]
19. Polythene Pam/She Came in Through the Bathroom Window (Take 27) - 3:18 (7/25/69) [AB50]
20. Because (A cappella) - 2:24 (8/4/69) [A3]
21. I Me Mine (Take 16) - 1:45 (1/3/70) [LIB50]
22. The End (Anthology Remix) - 2:53 (2/22/67, 7/23, 8/5, 7-8, 15 & 18/69) [A3]
Total length: 73:39

The final ever sessions between the Beatles in John Lennon's lifetime, covering February to August 1969. It seems almost prophetic that this disc would begin with "Goodbye" and end with... well, the Anthology remix of "The End". The only track outside of those sessions, of course, is "I Me Mine", from January 1970; by which point, John had left the group. Speaking of whom, I considered including the home demo of "Give Peace a Chance" from Plastic Ono Band: The Ultimate Mixes, recorded in June 1969, since there were Paul and George solo demos also included. That would, of course, mean having to cut "I Me Mine" in order to make room; maybe that could be included as a part of Anthology 4? What, dear readers, do you think?

Sources
- Anthology 3 (1996)
- The Beatles: 50th Anniversary Edition (2018)
- Abbey Road: 50th Anniversary Edition (2019)
- Let It Be: Special Edition (2021)
- 1967-1970: Expanded Edition (2023)

Monday, April 22, 2024

Queen's "Greatest Hits" Revisited

A quick little post from me this month; what if Queen's trilogy of Greatest Hits compilations were done in the style of the Beatles' Red and Blue Albums? For this post, I'll be adhering to a couple of rules: each compilation must be able to fit onto a single CD (but still presented as four sides below), and the songs must be arranged into more or less chronological order by single release dates.

1973-1978 [The Red Album]
Side A (18:09)
1. Keep Yourself Alive - 3:45
2. Liar - 6:24
3. Seven Seas of Rhye - 2:47
4. Killer Queen - 3:01
5. Stone Cold Crazy - 2:12

Side B (19:30)
6. Now I'm Here - 4:10
7. Bohemian Rhapsody - 5:55
8. I'm in Love with My Car - 3:05
9. You're My Best Friend - 2:50
10. '39 - 3:30

Side C (20:09)
11. Somebody to Love - 4:56
12. Tie Your Mother Down - 3:45 (single edit)
13. Good Old-Fashioned Lover Boy - 2:54
14. Long Away - 3:34
15. We Will Rock You - 2:01
16. We Are the Champions - 2:59

Side D (20:52)
17. Spread Your Wings - 4:34
18. It's Late - 6:26
19. Fat Bottomed Girls - 3:22 (single edit for CD; full version for vinyl)
20. Bicycle Race - 3:01
21. Don't Stop Me Now - 3:29
Total length: 78:40

Out of Queen's fifteen studio albums, their eponymous debut was, for some reason, not represented on any of their Greatest Hits compilations, although "Keep Yourself Alive" did appear on a few foreign variants of the first. It wasn't the only song to appear on alternate versions - "I'm in Love with My Car" appeared on the 2004 American edition as a bonus track, and "Teo Torriatte" appeared on the Japanese version, both 1981 and 2011. Unfortunately, that song didn't make the cut due to time constraints (sorry, Japan).

"Spread Your Wings" appeared on the Belgian, Spanish and German editions as an extra track, and the live version of "Tie Your Mother Down" was included on the Australian release; I went with the studio version instead. The other new additions were "Liar", "Stone Cold Crazy", "'39", "Long Away" and "It's Late". Although not released as a single, "Stone Cold Crazy" did make an appearance on Classic Queen in 1992, and "'39" was released as the B-side of "You're My Best Friend".

Queen - 1979-1986 [The Blue Album]
Side A (20:06)
1. Love of My Life (Live) - 3:43 (single edit)
2. Crazy Little Thing Called Love - 2:42
3. Save Me - 3:48
4. Play the Game - 3:30
5. Another One Bites the Dust - 3:35
6. Flash's Theme - 2:48 (single mix)

Side B (18:29)
7. Under Pressure - 3:58 (Greatest Hits edit)
8. Las Palabras de Amor (The Words of Love) - 4:31
9. Back Chat - 4:12 (single mix)
10. Radio Ga Ga - 5:48

Side C (18:38)
11. I Want to Break Free - 4:18 (single mix)
12. It's a Hard Life - 4:08
13. Hammer to Fall - 3:40 (single mix)
14. Is This the World We Created...? - 2:13
15. Thank God It's Christmas - 4:19

Side D (21:01)
16. One Vision - 4:01 (single mix)
17. A Kind of Magic - 4:22
18. Friends Will Be Friends - 4:10
19. Who Wants to Live Forever - 4:57 (Greatest Hits edit)
20. Princes of the Universe - 3:31
Total length: 78:14

All of the tracks on Side A were originally on Greatest Hits, although the live version of "Love of My Life" was included on Argentinian, Brazilian, Mexican and Venezuelan releases instead of "Seven Seas of Rhye". "Under Pressure" was included on the original American and Canadian releases as it was the newest single at the time, although it would later be included on Greatest Hits II. Likewise, "I Want to Break Free" would appear on the 1992 American edition that served as a companion piece to Classic Queen. "Body Language" was also included, but I decided to ditch it in favor of "Back Chat".

"Las Palabras de Amor", "Thank God It's Christmas" and "Princes of the Universe" all ended up on Greatest Hits III, which, for some reason, was a mix of Queen singles, remixes and solo projects. Ideally, it would be a purely Queen release, but that's a whole other topic altogether. The last new addition was "Is This the World We Created"; otherwise, Side C would've been too short at a mere sixteen minutes.

Queen - 1989-2022 [The Green Album]
Side A (17:36)
1. I Want It All - 4:31 (Queen Rocks mix)
2. Breakthru - 4:08
3. The Invisible Man - 3:55
4. The Miracle - 5:02

Side B (19:54)
5. Innuendo - 6:31
6. I'm Going Slightly Mad - 4:22
7. Headlong - 4:38
8. The Show Must Go On - 4:23 (early fade-out)

Side C (22:46)
9. These Are the Days of Our Lives - 4:15
10. Heaven for Everyone - 4:37
11. Too Much Love Will Kill You - 4:20
12. I Was Born to Love You - 4:49
13. Let Me Live - 4:45

Side D (18:13)
14. You Don't Fool Me - 5:24
15. No-One but You (Only the Good Die Young) - 4:11
16. Let Me in Your Heart Again - 4:31
17. Face It Alone - 4:07
Total length: 78:29

The tracks on the first two sides all appeared on Greatest Hits II; "I Was Born to Love You" also appeared on the Japanese iTunes reissue as a bonus track. All other tracks except for the final two show up on Greatest Hits III. I could've easily titled it 1989-1997, but that would ignore everything that came out afterwards. The two final additions are "Let Me in Your Heart Again" from 2014's Queen Forever, and "Face It Alone", an outtake from The Miracle that was finally released as a single in 2022, essentially making it Queen's equivalent to the Beatles' "Now and Then".

Despite how controversial The Cosmos Rocks is, I wanted to include "C-lebrity" to represent the Paul Rodgers period, but again, due to wanting to fit everything onto a single CD, I ended up dropping it, leaving the 2000s unrepresented. Bit of a shame, really, because I really don't think that it should be ignored as if it never happened. Like it or not, it is a part of Queen's history.

However, perhaps for vinyl releases, "Scandal" would be included on Side A between "The Invisible Man" and "The Miracle", "These Are the Days of Our Lives" and "You Don't Fool Me" are respectively bumped up to Sides B and C, and for Side D, "C-lebrity" is included along with "Love Kills - The Ballad". This way, the first three sides each focus on the best of The Miracle, Innuendo and Made in Heaven, respectively, and the last side is the post-1995 period.

That all being said, it was a fun little exercise to try out, and I like how each compilation represents a specific time period for Queen; their early years and initial success (Red), their shift in sound and final touring years (Blue), and the final years of Freddie Mercury and afterward (Green). Truly a fab way to celebrate over fifty years of a great recording career by Her Majesty herself.

Monday, March 18, 2024

The Second Coming - The Beatles Definitive Discography (1976-2002)

Well, when I said back in June 2023 that the Beatles' discography for Strawberry Peppers: The Second Coming was finalized, little did I realize that it just wouldn't stick to how I wanted it to be. At least, having the group last up to 1976 with sporadic reunions here and there. But now, and taking inspiration from The Fingerprints of Epstein on Alternate History, I've decided that the Beatles will last up to 2002, with a recording career spanning across five decades. Everything up until 1975's Rock Show will remain the same from this post, as well as Beatles at the Speed of Sight.

First up, a revised track listing for Roots: The Beatles Sing the Great Rock & Roll Hits...

Roots: The Beatles Sing the Great Rock & Roll Hits (January 30, 1976)
Side A (24:14)
1. Be-Bop-a-Lula - 2:39 (Rock 'n' Roll)
2. Twenty Flight Rock - 3:03 (Choba B CCCP)
3. Tight A$ - 3:37 (Mind Games)
4. Ain't That a Shame - 3:43 (Choba B CCCP)
5. You Can't Catch Me - 4:03 (Rock 'n' Roll)
6. Pure Smokey - 3:56 (Thirty-Three & ⅓)
7. Lucille - 3:13 (Choba B CCCP)

Side B (23:54)
8. Stand by Me - 3:26 (Rock 'n' Roll)
9. Bye Bye, Love - 4:08 (Dark Horse)
10. Call Me Back Again - 4:18 (Venus and Mars)
11. Only You (and You Alone) - 3:26 (Goodnight Vienna)
12. Ya Ya - 2:17 (Rock 'n' Roll)
13. Brown Eyed Handsome Man - 2:27 (Run Devil Run)
14. Got My Mind Set on You - 3:52 (Cloud Nine)

The story for the album is very much the same as it was in the post I linked; the big difference here is that "Got My Mind Set on You" is the leading single off of the album instead of "You're Sixteen", and "Ain't That a Shame" is now an album track. The Beatles still perform on Saturday Night Live, but this time, after the performance, they decide to record Beatles at the Speed of Sight before taking an indefinite hiatus, leaving the members free to pursue their own personal interests. John Lennon becomes a househusband taking care of his son Freddie with his new wife Madeline Kahn; George Harrison pursues gardening, racing and filmmaking, even releasing a solo album in 1979; Ringo Starr continues to act in movies and record an album or two; and Paul McCartney releases four albums, one with Brian Wilson, two with his backing group Wings, and one completely solo.

The Beatles would reunite three times over in 1979 - for Eric Clapton's wedding with Pattie Boyd, George's ex-wife, for a standalone Christmas single, and for the Concert for Kampuchea on December 29, in which they were the final act, ending the 1970s on a high note. (Of course, 1976 still gets a bit of a rap as "the death of the 60s", in which the Who's Keith Moon died of a drug induced heart attack and the Rolling Stones' Keith Richards is killed in a car crash while under cocaine and LSD.)

Give Us a Kiss Vol. 1 & 2 (November 16, 1979)
Side A (21:52)
1. My Bonnie - 2:08 (Anthology 1)
2. Ain't She Sweet - 2:13 (Anthology 1)
3. Love Me Do (Original Recording) - 2:32 (Anthology 1)
4. How Do You Do It? - 1:57 (Anthology 1)
5. Komm, gib mir deine Hand - 2:27 (Past Masters)
6. Sie liebt dich - 2:20 (Past Masters)
7. Yes It Is - 2:43 (Past Masters)
8. Tell Me What You See - 2:37 (Help!)
9. 12-Bar Original - 2:55 (Anthology 2)

Side B (21:22)
10. Tomorrow Never Knows (Take 1) - 3:32 (Revolver: Special Edition)
11. Paperback Writer - 2:19 (Past Masters)
12. Rain - 3:02 (Past Masters)
13. And Your Bird Can Sing (Take 2) - 2:14 (Revolver: Special Edition)
14. Strawberry Fields Forever (Take 1) - 2:39 (Sgt. Pepper: 50th Anniversary Edition)
15. Christmas Time is Here Again - 3:02 (Free as a Bird single)
16. Flying - 2:16 (Magical Mystery Tour)
17. Lady Madonna - 2:18 (Past Masters)

Side C (24:33)
18. While My Guitar Gently Weeps (Acoustic) - 3:22 (Love)
19. Hey Jude - 7:08 (Past Masters)
20. Revolution - 3:25 (Past Masters)
21. Something - 3:02 (Abbey Road)
22. Give Peace a Chance - 4:54 (Gimme Some Truth: The Ultimate Mixes)
23. Come and Get It (Demo) - 2:42 (Abbey Road: 50th Anniversary Edition)

Side D (25:39)
24. The Long and Winding Road - 3:34 (Let It Be… Naked)
25. Cold Turkey - 5:01 (Gimme Some Truth: The Ultimate Mixes)
26. Bangla Desh - 3:57 (Living in the Material World)
27. Live and Let Die - 3:12 (Red Rose Speedway)
28. One More Kiss - 2:28 (Red Rose Speedway)
29. Ding Dong, Ding Dong - 3:40 (Dark Horse)
30. Wonderful Christmastime - 3:47 (McCartney II)

For this new scenario, Rock 'n' Roll Music is released on March 6, 1978, and Give Us a Kiss Vol. 1 & 2 (the new name for Past Masters) is released on November 16, 1979 in conjunction with the new Christmas single "Wonderful Christmastime". This therefore leaves Live at the Hollywood Bowl as the major album release for 1977. The new title is derived from a quote from A Hard Day's Night in which John makes a sarcastic remark to a stuffy old man on the train, and the Vol. 1 & 2 portion comes from the fact that the album is basically split into two periods - pre-Apple (1961 to February 1968) and Apple (August 1968 to 1979). Across two decades, the Beatles had recorded and released over 350 songs spread out across 24 albums, but they were far from finished as a new decade dawned...

Skywriting by Word of Mouth (May 8, 1981)
Side A (24:18)
1. (Just Like) Starting Over - 3:56 (Double Fantasy)
2. Take It Away - 4:05 (Tug of War)
3. Here Comes the Moon - 4:09 (George Harrison)
4. Keep Under Cover - 3:05 (Pipes of Peace)
5. I Don't Wanna Face It - 3:22 (Milk and Honey)
6. You Can't Fight Lightning - 5:41 (Stop and Smell the Roses)

Side B (23:06)
7. Blow Away - 4:00 (George Harrison)
8. One of the Boys - 3:34 (Estefy Lennon)
9. Ballroom Dancing - 4:07 (Tug of War)
10. Woman - 3:32 (Double Fantasy)
11. Flying Hour - 4:04 (Somewhere in England)
12. Wanderlust - 3:49 (Tug of War)

John Lennon felt inspired to make new music following a trip to Bermuda, even recording some demos, but then decided that he couldn't do it alone. A visit from Paul McCartney, also having a batch of demos of his own, sparked the possibility of the first Beatles album since 1976, and upon bringing George Harrison and Ringo Starr (who was due to star in Caveman and engaged to his new girlfriend Barbara Bach), the four men were back together in the studio with George Martin in the producer's chair once again. The sessions were so fruitful that, at one point, it was even suggested to put out a double album, before it was ultimately decided that a single album would be better for commercial purposes, with the remaining tracks being held off for a follow-up release.

The resultant album, Skywriting by Word of Mouth, was a huge success, reaching #1 in many countries, as did the three singles "Take It Away", "Woman" and "Blow Away". In fact, even while it was unsure how the album would fare, a reunion tour had been put in place for the rest of 1981 and into 1982. Long and short, Skywriting was a huge deal, receiving many positive reviews from fans and critics. However, later reception towards the album would cool off, noting that it was a success off the heels of the Beatles reuniting.

During the Beatles Skywriting Tour, the four members would bring their families with them, with Julian Lennon even joining his father and hanging out with the other Beatles kids. It was also during that happy time that Madeline Kahn, John's wife, would give birth to a baby girl, Alice Paula Lennon, on February 6, 1982. After the tour would come to a close, the Beatles would take some time off before returning to the studio to finish up their work on the follow-up to Skywriting by Word of Mouth. But could it really live up to the hype, and did the Beatles have a place in music in the 1980s?

War and Peace (February 4, 1983)
Side A (21:18)
1. Tug of War - 4:22 (Tug of War)
2. Tears of the World - 4:00 (Thirty-Three & ⅓)
3. She's a Friend of Dorothy - 3:56 (Estefy Lennon)
4. Not Such a Bad Boy - 3:19 (Give My Regards to Broad Street)
5. Wrack My Brain - 2:21 (Stop and Smell the Roses)
6. So Bad - 3:20 (Pipes of Peace)

Side B (22:16)
7. Dream Away - 4:29 (Gone Troppo)
8. Cleanup Time - 2:58 (Double Fantasy)
9. The Pound is Sinking - 2:54 (Tug of War)
10. Life Itself - 4:25 (Somewhere in England)
11. Pipes of Peace - 3:56 (Pipes of Peace)
12. Nobody Told Me - 3:34 (Milk and Honey)

The first song out of War and Peace to be released to the world was George's "Dream Away", which ended up on Time Bandits, released under Apple Films in 1981. It would be a couple of years before it was actually included on an album. Among the new songs recorded for War and Peace were Paul's "Not Such a Bad Boy", "So Bad" and "Pipes of Peace", and John's "She's a Friend of Dorothy" and "Beautiful Child (Darling Children)", the latter of which was a song written for John's newborn daughter Alice, although it wouldn't make the final track listing. Retrospectively, many felt that "Beautiful Child" would've been a better fit for War and Peace instead of "So Bad"; even Paul himself shared that sentiment, calling "Beautiful Child" one of his favorites from John.

During the new sessions, the Beatles would find themselves collaborating with Michael Jackson for a one-off single release, "Say Say Say" backed with "The Man", both co-written with Paul, who ended up co-singing the A-side. The B-side, after tweaking some lyrics, would be sung between John and Michael. The single wound up becoming a #1 hit in the United States.

War and Peace was intended to be released in time for the Christmas market, but due to extra work being needed, the release date was held back to February 4, 1983, with the first single being John's "Nobody Told Me". The second single was "Wrack My Brain", written by George and sung by Ringo, but while both singles made the Top 10, neither hit #1. However, in the United Kingdom, "Pipes of Peace" hit #1, with a music video being depicting the 1914 Christmas truce between British and German troops, in which the Beatles each play soldiers on the battlefield and Paul (playing a British soldier) and John (playing a German soldier) accidentally swap pictures of loved ones at the end.

Overall, War and Peace got mixed reviews compared to Skywriting by Word of Mouth, and despite reaching #1 in both the United States and the United Kingdom, its staying power wasn't as strong. And with this marking twenty years since the release of Please Please Me, coupled with many in the music press calling the Beatles "ancient" compared to the likes of Prince, Madonna and, ironically, Michael Jackson, that was adding insult to injury. No tour was done for War and Peace as the Beatles wanted to focus on other things.

Paul was the most active out of the Beatles, completing a long-term passion project of his own since 1970, Rupert and the Frog Song, accompanied by a song he'd recorded just before the Skywriting sessions, "We All Stand Together". Also in 1984, he would release his sixth solo album Give My Regards to Broad Street, and two years later, he would put out Press to Play. John and George each put out a solo album in 1985 - Menlove Ave. and Somewhere in England, respectively.

Ringo was the only one to not release an album during that period; instead, he would act as the narrator for Apple Television's Thomas the Tank Engine and Friends, and would stay in that role for three seasons, being released in 1984, 1986 and 1989, respectively. The show would catch the interest of Jim Henson, creator of the Muppets and founder of Henson International Television, who offered for his company to serve as distributor of Thomas for international markets. This resulted in several collaborations between Henson and Apple Corps, among the first being Labyrinth, starring David Bowie as Jareth the Goblin King, and a film adaptation of Little Shop of Horrors directed by Henson's close friend Frank Oz. By the 1990s, the Muppets would become a part of the Apple family.

But the Beatles' crowning moment between 1983 and 1986 was unquestionably Live Aid in 1985, in which they performed to provide famine relief in Ethiopia, serving as the final act of the London show. Their setlist comprised of "Sgt. Pepper's Lonely Hearts Club Band", "Come Together", "Here Comes the Sun", "Yesterday", "Imagine", "With a Little Help from My Friends" and "The End", before joining the rest of Band Aid for "Do They Know It's Christmas?". Although Apple stablemates Queen were considered the show stealers, many agreed that the Beatles still put on a worthy performance that could compete with Queen. That same year, the Beatles had recorded "Save the World", written by George, for Greenpeace - The Album.

Return to Pepperland (June 26, 1987)
Side A (23:03)
1. Circles (Introduction) - 2:37 (Gone Troppo)
2. Return to Pepperland - 4:57 (Return to Pepperland)
3. When We Was Fab - 3:57 (Cloud Nine)
4. I'm Stepping Out - 4:02 (Milk and Honey)
5. This One - 4:10 (Flowers in the Dirt)
6. Attention - 3:20 (Stop and Smell the Roses)

Side B (21:16)
7. Breath Away from Heaven - 3:36 (Cloud Nine)
8. Watching the Wheels - 3:31 (Double Fantasy)
9. This is Love - 3:48 (Cloud Nine)
10. Only Love Remains - 4:13 (Press to Play)
11. Wreck of the Hesperus - 3:31 (Cloud Nine)
12. Help Me to Help Myself - 2:37 (Double Fantasy)

With 1987 set to mark twenty years since the release of both Merseyside and Magical Mystery Tour, the Beatles felt it was time to put out another album. Marking a big change in their sound was the arrival of Electric Light Orchestra frontman Jeff Lynne in the producer's seat, which would lead to many collaborations with George. In fact, Return to Pepperland was very much George dominant, with Paul and John each having secondary roles with the former even providing "Attention" for Ringo to sing. The production of the album would recall that of the 1960s while also sticking to the (then) present of 1987, and yet, despite this mishmash of sounds, Return to Pepperland would go on to be a huge success for the Beatles, with some even calling it their best album since 1974's Band on the Run.

The Beatles Pepperland Tour would have its legs spread out across 1987 to 1989, to allow room for the members to put out solo projects, with a live album eventually being released in 1990 as Tripping the Live Fab. Among those solo projects was the Traveling Wilburys, in which George and Jeff would record material with Tom Petty, Bob Dylan and Roy Orbison, the latter of whom had signed onto Apple as part of a comeback. The group had formed in 1986 with their first album, Trembling Wilburys, being released in 1987. Their follow-up, Handle with Care, showed that the supergroup had perfected their craft, but it wouldn't last long due to Orbison's death in 1988. 1989 would see the release of Under the Red Sky, dedicated to his memory, and the next two albums, Inside Out and Runaway Train weren't as well received, eventually leading to the Wilburys' split in 1991.

George wasn't the only Beatle with his own agenda; Paul McCartney had co-written several songs with Elvis Costello, eventually resulting in an album which was called Flowers in the Dirt, after a lyric in the song "That Day is Done". The album's biggest highlights (and therefore hit singles) were "My Brave Face" and "Veronica". Ringo Starr had also gotten together with former Eagles guitarist Joe Walsh, in which they would form the All-Starr Band, an ever-rotating lineup of artists from the 1960s, 1970s and 1980s coming together on stage to perform their biggest hits from their former groups.

Unusually, John Lennon was perhaps the least active during 1988 and 1989, with one of his most prominent appearances being at the Beatles' induction into the Rock and Roll Hall of Fame, presented by Mick Jagger. Jagger himself was in the midst of reviving the Rolling Stones for the first time since 1976 as Mick Jagger's Rolling Stones - truly a revival of the 1960s after their supposed death in 1976. Towards the end of 1989, John would play some solo shows in New York with Julian accompanying him and signing autographs for fans after each show. However, on one of those nights, Mark David Chapman had come with the intention of shooting John Lennon, a plan almost a decade in the making, and when he fired at the Beatle, Chapman instead shot at the Beatles' roadie Mal Evans, who had pushed John out of the way, saving his life, but at the cost of his own. Evans would die from his injuries and John would leave the spotlight for a while to grieve his friend.

The Beatles' first single of the 1990s was a re-recording of "My Brace Face" for Nobody's Child: Romanian Angel Appeal, which happened thanks to Olivia Harrison raising concerns to George about the suffering orphaned children in Romania were going through following the collapse of Communism. That same year also saw the release of the next Beatles compilation album The Best of the Beatles: 1976-1989, otherwise known as The Orange Album, following the releases of 1962-1966/Red1967-1969/Blue and 1970-1975/Green1976-1989/Orange would cover songs from Roots: The Beatles Sing the Great Rock & Roll HitsBeatles at the Speed of SightSkywriting by Word of MouthWar and Peace and Return to Pepperland, as well as non-album tracks from the era such as "Wonderful Christmastime", "Say Say Say" and "Save the World".

1991 would see John Lennon re-enter the spotlight after his near death in New York, boosted by the recording of "My Brave Face (Nobody's Child Version)", and he would release an album called Lost, which was inspired by the evolving grunge scene that would define the decade. With sparse arrangements featuring Ringo on drums and Klaus Voormann on bass, it would be regarded as John's equivalent to Bob Dylan's Blood on the Tracks and Neil Young's Tonight's the Night. That same year, the Beatles would make an appearance on MTV Unplugged, and an album would afterward be released. Now, this was all well and good, but the question was, when would the Beatles put out their next album of new material?

Cloud Nine (July 2, 1993)
1. Cloud Nine - 3:15 (Cloud Nine)
2. Whatever Happened To - 3:39 (Estefy Lennon)
3. Biker Like an Icon - 3:26 (Off the Ground)
4. Don't Go Where the Road Don't Go - 3:20 (Time Takes Time)
5. Calico Skies - 2:32 (Flaming Pie)
6. Steel and Glass - 4:10 (Menlove Ave.)
7. Devil's Radio - 3:52 (Cloud Nine)
8. Figure of Eight - 3:25 (Flowers in the Dirt)
9. This Guitar (Can't Keep from Crying) - 3:55 (Extra Texture [Read All About It])
10. I Found Out - 3:37 (John Lennon/Plastic Ono Band)
11. Hope of Deliverance - 3:22 (Off the Ground)
12. Fish on the Sand - 3:22 (Cloud Nine)
13. Beef Jerky - 3:26 (Walls and Bridges)
14. C'mon People - 5:46 (Off the Ground)
Total length: 51:07

With the rise of the compact disc format in the world of music, the Beatles saw an opportunity to get ambitious once again by putting out single albums longer than fifty minutes. If Return to Pepperland was their Merseyside of the 1980s, then Cloud Nine would be their 1990s equivalent to their two self-titled albums (I/White and II/Black) from 1968. There was no underlying concept for Cloud Nine, as the songs would cover a wide variety of genres and styles, with John's grunge influence continuing from Lost onto songs like "Steel and Glass" and "I Found Out". As a matter of fact, there were some political undertones in songs such as George's "Devil Radio" and Paul's "C'mon People", both of which would come out as singles, but neither would reach #1, with Cloud Nine becoming the Beatles' first album since Rock Show to not have a #1 hit attached to it.

Yet despite this setback, Cloud Nine actually managed to reach #1 in several countries and was generally very well received, although reviews were not as strong as those for Return to Pepperland. Another tour would take place between 1993 and 1994 to support Cloud Nine, and would be even bigger than the Pepperland Tour. In fact, it would be the Beatles' biggest tour up until that point. Behind the scenes, however, there were talks of a documentary that would cover the Beatles' story up until that point, and that project would be known as Anthology.

Originally titled The Long and Winding Road, it was originally put together by Neil Aspinall back in the early 1970s, but it would remain on the shelf for several years, with an attempted revival in the 1980s also falling through. George Harrison did not like the idea of a Beatles documentary being named after a Paul McCartney song, and in response, Paul suggested that George write a song for the documentary himself. George unearthed a song from the Skywriting by Word of Mouth sessions called "All Those Years Ago", which he intended to have Ringo sing, but he didn't like the lyrics and found it too high for his vocal range. With new lyrics, "All Those Years Ago" became the first new song recorded for the Anthology project.

Not wanting to be outdone, the other three Beatles each had their own song for Anthology - for Ringo, it was "Really Love You", a jam between himself, Paul and George as well as Jeff Lynne. For Paul, it was "Little Willow", a song written as a tribute to Maureen Starkey following her death from leukemia in 1994, recalling "Hey Jude" lyrically with a dedication to her children. And for John, it was "India, India", which had origins going back to the 1970s. Although fans got to hear new music from the Beatles, it was all for naught as Anthology, originally planned as a working title, would stick as the final name for the documentary. However, many fans feel that "All Those Years Ago" was the true theme for Anthology.

Six Anthology albums would be released between November 1995 and April 1996, with each covering a specific time period in the Beatles' recording history. The first Anthology, including "All Those Years Ago", would cover the period between 1958 to 1964, from the Beatles' pre-EMI recordings to the sessions that produced Beatles for Sale. Anthology 2 covered the period between the Help! album sessions and "Lady Madonna" single sessions, February 1965 to February 1968. Anthology 3, containing "Really Love You", covered the rest of 1968 and all of 1969, starting with several of the Esher demos that led to the two self-titled albums, and finishing with the Two of Us sessions.

Anthology 4 and 5 would both cover the 1970s between them. The former included "Little Willow" along with session takes from Everest: A Rock Symphony, Imagine, Ram and Mind Games, and the latter would cover Band on the Run, Rock Show, Roots and Beatles at the Speed of Sight, as well several home demos such as "Free as a Bird", "Real Love" and "Now and Then". The sixth and final Anthology album would cover the entirety of the 1980s and the first few years of the 1990s, as well as the final track recorded for the project, "India, India", and a remixed/re-recorded version of "The End". All six albums would provide a gateway for new fans to discover the Beatles' music, and it was further boosted by the release of the first Live at the BBC album back in 1994. But the best was yet to come from the band in the 1990s...

Flaming Pie (May 2, 1997)
1. Free as a Bird - 4:26 (Anthology 1)
2. The World Tonight - 4:06 (Flaming Pie)
3. Any Road - 3:52 (Brainwashed)
4. Young Boy - 3:54 (Flaming Pie)
5. Flaming Pie - 2:30 (Flaming Pie)
6. Rising Sun - 5:27 (Brainwashed)
7. King of Broken Hearts - 4:44 (Vertical Man)
8. Borrowed Time - 4:29 (Milk and Honey)
9. Somedays - 4:15 (Flaming Pie)
10. Stuck Inside a Cloud - 4:04 (Brainwashed)
11. Real Love - 3:54 (Anthology 2)
12. Beautiful Night - 5:04 (Flaming Pie)
13. Between the Devil and the Deep Blue Sea - 2:34 (Brainwashed) [hidden track]
Total length: 53:19

In 1976, while drunk on stage, Eric Clapton made some disparaging remarks about immigrants, comments which he had since regretted. But no matter how long ago it's been, sooner or later, such remarks may come back to haunt you. Indeed, come 1996, Clapton would be bludgeoned to death by a deranged fan outside of his hotel room at the age of 51; his planned performance at Hyde Park for the Prince's Trust was subsequently canceled due to the incident. George Harrison was among those who was affected by his friend's murder - doubly so with John Lennon's close call in 1989 - and thereby increased security at Friar Park, which ended up saving his life three years later when a man called Michael Abrams tried to break in to kill George.

As a tribute to Clapton, George included a dedication in the liner notes for his next album, Gone Troppo, and recorded a version of "Run So Far", which he gave away to Clapton for his 1989 album Journeyman. John would also release a solo album in 1996 titled Between the Lines, and rather infamously, he would re-record some older Beatles songs in a rap style, which was met with inevitable backlash. Embarrassed by this, John would return to the studio with the other Beatles to record their next album Flaming Pie, which would consist of several songs that were previously recorded, but never put on a proper album. One such example was "Beautiful Night", originally started in 1986 but didn't make the cut for Return to Pepperland.

Flaming Pie was heralded as a return to the classic Beatles sound, and would go down as one of their greatest ever achievements, although it would be kept off the top spot by the Spice Girls' debut album Spice; still, Flaming Pie's success showed that the Beatles still had a place in the music scene despite its members being in their fifties. However, no tour would take place as George was recovering from lung cancer; likewise, Madeline Kahn had undergone surgery to remove her ovaries, and John wanted to be by her side while she recovered.

The album's six singles - "Free as a Bird", "Young Boy", "Any Road", "Real Love", "King of Broken Hearts" and "Beautiful Night" - were all Top 20 hits, the former two even reaching #1, giving the Beatles at least one #1 hit across four decades. This showed that even as the music world was constantly growing and evolving, the Beatles still always had something new to say, solidifying the 1990s as their renaissance period. And with 1998 marking thirty years since the formation of Apple Corps, it really seemed as though the Beatles had done everything they possibly could.

1999 would see the release of Ringo's Vertical Man, and later that year, under the pseudonym the Nerk Twins, John and Paul recorded a covers album titled Rock 'n' Roll. George didn't release a new album that year, but he helped to co-produce Nirvana's sixth album to which he gave away the title, Your Planet is Doomed - Vol. 1, perfectly reflecting on the dark sense of humor that they shared. The year would also see the Beatles perform their final two shows of the century - the first at the Glastonbury Festival in Scotland, and the second at the new Cavern Club. Their final release of the decade would be an extended play called Christmas with the Beatles, featuring a new song "Come On Christmas (Christmas Come On)" with Ringo on vocals.

Portrait of Four Leg Ends (June 7, 2002)
1. Horse to the Water - 5:01 (Small World, Big Band)
2. Driving Rain - 3:26 (Driving Rain)
3. I'm Losing You - 3:52 (John Lennon Anthology)
4. Pisces Fish - 4:50 (Brainwashed)
5. Run Devil Run - 2:36 (Run Devil Run)
6. Now and Then - 4:05 (1967-1970) [2023 edition]
7. Marwa Blues - 3:40 (Brainwashed)
8. Rinse the Raindrops - 3:14 (Twin Freaks)
9. Love First, Ask Questions Later - 4:45 (Ringo Rama)
10. Your Loving Flame - 3:43 (Driving Rain)
11. Grow Old with Me - 3:21 (Gimme Some Truth: The Ultimate Mixes)
12. Brainwashed - 6:07 (Brainwashed)
Total length: 48:40

While the Beatles remained a dominant force in the 20th century, the 21st century left people wondering where they could go and if they still had a place left in the world. Well, their first release of the new millennium was the compilation album 1, covering all forty-six of their number one hits from 1962 to 1997, spread out over two CDs, and reaching #1 in many countries, selling 31 million copies worldwide both on vinyl and CD formats.

Feeling that they had little left to say after nearly forty years of being together, the Beatles decided to record one final album to properly say goodbye to their fans. Of course, not everything ever goes according to plan, for on September 11, 2001, the Twin Towers in New York City would be destroyed by an airplane hijacked in a terrorist attack. John Lennon and Paul McCartney would witness the event and record a track called "Freedom" as a response, with the intended message being "We shall overcome." A nice sentiment, but certain groups would take it as a pro-war stance, which was what led to John speaking negatively about the song in retrospect, and "Freedom" has never been performed live ever since.

For the Beatles' final album, Portrait of Four Leg Ends, John suggested that they go all out on the album, and, in his own words, "throw everything at it, including the bloody kitchen sink." Once again, a wide variety of genres and styles would be covered, including jazz ("Horse to the Water"), electronica ("Rinse the Raindrops"), orchestral pop ("Grow Old with Me") rock and roll ("Run Devil Run"), instrumental blues ("Marwa Blues"), psychedelia ("Love First, Ask Questions Later"), grunge ("I'm Losing You"), pop ballad ("Your Loving Flame") and raga rock ("Brainwashed").

The final song recorded for Portrait of Four Leg Ends - and therefore, the last ever Beatles song to be recorded - was "Now and Then". There was nothing said amongst the four once the recording was completed; just silent acknowledgement, along with the shaking of hands, that this was it. What had begun forty-five years ago with a meeting between John Lennon and Paul McCartney after a Quarrymen show on July 6, 1957 had now come to a close with the recording of "Now and Then" in March 2002. There's nothing you can say after that.

Three months later, Portrait of Four Leg Ends was finally released to the public, exactly forty years since since the Beatles' first EMI recording session. The album sold out very quickly in stores; so quickly, in fact, that buying customers were outright getting it straight from the boxes rather than on the shelves. The accompanying single, "Now and Then", managed to reach #1 in the United Kingdom, and it would eventually be added to future releases of 1, marking forty-seven #1 hits across forty years. Although the album's schizophrenic quality and and random mix of genres was criticized, many would defend that the Beatles have never been afraid to push the envelope, and that Portrait of Four Leg Ends was a perfect... well, portrait of that. One would have to go as far back as 1966's Revolver to see (and hear) that.

Give Us a Kiss Vol. 3 (March 7, 2003)
1. Life Begins at 40 - 3:36 (Estefy Lennon)
2. Say Say Say [w/ Michael Jackson] - 3:55 (Pipes of Peace)
3. The Man [w/ Michael Jackson] - 3:55 (Pipes of Peace)
4. Beautiful Child (Darling Children) - 4:02 (Double Fantasy)
5. Save the World - 4:58 (Greenpeace - The Album)
6. Love Come Tumbling Down - 4:24 (Flaming Pie)
7. Zig Zag - 2:45 (Cloud Nine)
8. My Brave Face (Nobody's Child Version) - 3:18 (Flowers in the Dirt)
9. All Those Years Ago - 3:45 (Somewhere in England)
10. Really Love You - 5:18 (Flaming Pie)
11. Little Willow - 2:58 (Flaming Pie)
12. India, India - 3:07 (Estefy Lennon)
13. What in the... World - 3:29 (Vertical Man)
14. Heaven on a Sunday - 4:26 (Flaming Pie)
15. Come On Christmas, Christmas Come On - 3:36 (I Wanna Be Santa Claus)
16. Freedom - 3:34 (Driving Rain)
17. Rinse the Raindrops (10 Minute Version) - 10:08 (Driving Rain)
Total length: 71:14

Two Beatles compilations would come out in 2003; March saw the release of Give Us a Kiss Vol. 3, gathering all of their non-album tracks from 1981 to 2001, as well as a ten minute version of "Rinse the Raindrops". April would see the release of The Best of the Beatles: 1990-2002, otherwise known as The Purple Album, covering the best material from Inclinations, Cloud Nine, Flaming Pie and Portrait of Four Leg Ends, as well as a few non-album tracks like "My Brave Face" and the Anthology tetralogy. The Purple Album was also included with The Red (1962-1966), Blue (1967-1969), Green (1970-1975) and Orange (1976-1989) Albums in the box set The Best of the Beatles: 1962-2002.

To make their farewell even bigger, the Beatles would go on The Fab Forever Tour between 2003 and 2004, with the final show taking place in their hometown of Liverpool, and their final encore consisting of "I Saw Her Standing There" as well as a few rock and roll covers, concluding with "Twist and Shout". Highlights of the tour would be included on the live album The Beatles' Farewell to the World. Audiences would be packed from fans who had been there since the early days of Beatlemania, to new fans who were excited to see the Beatles perform live for the very first time.

After that final show, the Beatles would go their separate ways and move on with their lives. The first time they would be together in public following that final show would be at the premiere performance of the Cirque de Soleil show Love in Las Vegas in 2006, along with their families, Brian Epstein (in his last public appearance until his death in 2010), George Martin and his son Giles. A remix album, released in conjunction with the show, would be senior Martin's final work with the Beatles until his death in 2016.

With Giles Martin now a part of the Beatles family, he would be involved in remastering their archival releases up until 1987 for the digital market, and on September 9, 2009, all twenty-nine of their studio albums, as well as the Rock 'n' Roll Music and Give Us a Kiss (now combined into a singular release) compilations, would be released together in a box set for the CD and vinyl formats - well over 400 songs in total! The first seven albums on CD would include both mono and stereo mixes so fans could pick whichever they preferred. In 2013, The Red, Blue, Green, Orange and Purple Albums would all be re-released with new track listings, including more songs that weren't included the first time around. Like the last time around, all five would be packaged together as part of The Best of the Beatles: 1962-2002 box set, whether it be across ten CDs or fifteen vinyl records.

Amongst the most notable Beatles reunions included John's 70th birthday bash at Madison Square Garden in 2010, as well as the Beatles' History Tour in 2013 and 2014, marking fifty years since Beatlemania first kicked off. This would turn out to be their final ever tour as John Lennon would be diagnosed with Alzheimer's disease some time after the final show. He died at his home in Scotland on August 21, 2019 at the age of 78. Upon his death, Paul, George and Ringo would release a joint statement, announcing that the Beatles as a partnership would be no more without John. Their final performance together was at The Concert for John on October 9, 2020, marking what could have been his eightieth birthday. The concert would conclude with a rendition of "Imagine", featuring everyone who partook in it, including John's daughter Alice Lennon, guitarist and frontwoman of the Spyders.

And in the end...
Between 2004 and 2019, the Beatles each took their own paths; Paul would continue to release music, beginning with 2005's Chaos and Creation in the Studio with Nigel Godrich as producer, and has toured extensively ever since. Ringo has likewise followed a similar path with his backing group The Roundheads, all a part of his All-Starr Band and gone on tours and released new albums, and his considered one of the most likable figures in music. Living up to his reputation as the Quiet Beatle, George's musical output has been rather sporadic, focusing more on his gardening and producing movies. He has been expected to live for at least thirty more years after being cured of lung cancer, and as of 2023, at the age of eighty,  George may have a few more years left in him.

But what about John? Where did he land between the two extremes of living a quiet private life and going out on the road every few years? The answer is, somewhere in between. He'd put out a few albums and occasionally did solo tours, but ever since that awful night in 1989, John had stopped giving autographs to fans and responding to fan mail (the other three would also follow suit, with Ringo even recording a video about it), preferring instead to head straight to his hotel rooms. Some time after his diagnosis with Alzheimer's, he began working on material for at least one more album, should worse come to worst. Amongst those recordings was a reworking of the Beatles' "In My Life", this time being a reflection on his past as a man in his 70s rather than his 20s. It would end up being released on his final album, released shortly after his death, Legacy.

With the three surviving Beatles all into their eighties, the road ahead looks shorter than before, but their legacy will outlive them, and they are still, to quote a song of theirs from 1973, the greatest. And you'd better believe it, baby!