Monday, March 18, 2024

The Second Coming - The Beatles Definitive Discography (1976-2002)

Well, when I said back in June 2023 that the Beatles' discography for Strawberry Peppers: The Second Coming was finalized, little did I realize that it just wouldn't stick to how I wanted it to be. At least, having the group last up to 1976 with sporadic reunions here and there. But now, and taking inspiration from The Fingerprints of Epstein on Alternate History, I've decided that the Beatles will last up to 2002, with a recording career spanning across five decades. Everything up until 1975's Rock Show will remain the same from this post, as well as Beatles at the Speed of Sight.

First up, a revised track listing for Roots: The Beatles Sing the Great Rock & Roll Hits...

Roots: The Beatles Sing the Great Rock & Roll Hits (January 30, 1976)
Side A (24:14)
1. Be-Bop-a-Lula - 2:39 (Rock 'n' Roll)
2. Twenty Flight Rock - 3:03 (Choba B CCCP)
3. Tight A$ - 3:37 (Mind Games)
4. Ain't That a Shame - 3:43 (Choba B CCCP)
5. You Can't Catch Me - 4:03 (Rock 'n' Roll)
6. Pure Smokey - 3:56 (Thirty-Three & ⅓)
7. Lucille - 3:13 (Choba B CCCP)

Side B (23:54)
8. Stand by Me - 3:26 (Rock 'n' Roll)
9. Bye Bye, Love - 4:08 (Dark Horse)
10. Call Me Back Again - 4:18 (Venus and Mars)
11. Only You (and You Alone) - 3:26 (Goodnight Vienna)
12. Ya Ya - 2:17 (Rock 'n' Roll)
13. Brown Eyed Handsome Man - 2:27 (Run Devil Run)
14. Got My Mind Set on You - 3:52 (Cloud Nine)

The story for the album is very much the same as it was in the post I linked; the big difference here is that "Got My Mind Set on You" is the leading single off of the album instead of "You're Sixteen", and "Ain't That a Shame" is now an album track. The Beatles still perform on Saturday Night Live, but this time, after the performance, they decide to record Beatles at the Speed of Sight before taking an indefinite hiatus, leaving the members free to pursue their own personal interests. John Lennon becomes a househusband taking care of his son Freddie with his new wife Madeline Kahn; George Harrison pursues gardening, racing and filmmaking, even releasing a solo album in 1979; Ringo Starr continues to act in movies and record an album or two; and Paul McCartney releases four albums, one with Brian Wilson, two with his backing group Wings, and one completely solo.

The Beatles would reunite three times over in 1979 - for Eric Clapton's wedding with Pattie Boyd, George's ex-wife, for a standalone Christmas single, and for the Concert for Kampuchea on December 29, in which they were the final act, ending the 1970s on a high note. (Of course, 1976 still gets a bit of a rap as "the death of the 60s", in which the Who's Keith Moon died of a drug induced heart attack and the Rolling Stones' Keith Richards is killed in a car crash while under cocaine and LSD.)

Give Us a Kiss Vol. 1 & 2 (November 16, 1979)
Side A (21:52)
1. My Bonnie - 2:08 (Anthology 1)
2. Ain't She Sweet - 2:13 (Anthology 1)
3. Love Me Do (Original Recording) - 2:32 (Anthology 1)
4. How Do You Do It? - 1:57 (Anthology 1)
5. Komm, gib mir deine Hand - 2:27 (Past Masters)
6. Sie liebt dich - 2:20 (Past Masters)
7. Yes It Is - 2:43 (Past Masters)
8. Tell Me What You See - 2:37 (Help!)
9. 12-Bar Original - 2:55 (Anthology 2)

Side B (21:22)
10. Tomorrow Never Knows (Take 1) - 3:32 (Revolver: Special Edition)
11. Paperback Writer - 2:19 (Past Masters)
12. Rain - 3:02 (Past Masters)
13. And Your Bird Can Sing (Take 2) - 2:14 (Revolver: Special Edition)
14. Strawberry Fields Forever (Take 1) - 2:39 (Sgt. Pepper: 50th Anniversary Edition)
15. Christmas Time is Here Again - 3:02 (Free as a Bird single)
16. Flying - 2:16 (Magical Mystery Tour)
17. Lady Madonna - 2:18 (Past Masters)

Side C (24:33)
18. While My Guitar Gently Weeps (Acoustic) - 3:22 (Love)
19. Hey Jude - 7:08 (Past Masters)
20. Revolution - 3:25 (Past Masters)
21. Something - 3:02 (Abbey Road)
22. Give Peace a Chance - 4:54 (Gimme Some Truth: The Ultimate Mixes)
23. Come and Get It (Demo) - 2:42 (Abbey Road: 50th Anniversary Edition)

Side D (25:39)
24. The Long and Winding Road - 3:34 (Let It Be… Naked)
25. Cold Turkey - 5:01 (Gimme Some Truth: The Ultimate Mixes)
26. Bangla Desh - 3:57 (Living in the Material World)
27. Live and Let Die - 3:12 (Red Rose Speedway)
28. One More Kiss - 2:28 (Red Rose Speedway)
29. Ding Dong, Ding Dong - 3:40 (Dark Horse)
30. Wonderful Christmastime - 3:47 (McCartney II)

For this new scenario, Rock 'n' Roll Music is released on March 6, 1978, and Give Us a Kiss Vol. 1 & 2 (the new name for Past Masters) is released on November 16, 1979 in conjunction with the new Christmas single "Wonderful Christmastime". This therefore leaves Live at the Hollywood Bowl as the major album release for 1977. The new title is derived from a quote from A Hard Day's Night in which John makes a sarcastic remark to a stuffy old man on the train, and the Vol. 1 & 2 portion comes from the fact that the album is basically split into two periods - pre-Apple (1961 to February 1968) and Apple (August 1968 to 1979). Across two decades, the Beatles had recorded and released over 350 songs spread out across 24 albums, but they were far from finished as a new decade dawned...

Skywriting by Word of Mouth (May 8, 1981)
Side A (24:18)
1. (Just Like) Starting Over - 3:56 (Double Fantasy)
2. Take It Away - 4:05 (Tug of War)
3. Here Comes the Moon - 4:09 (George Harrison)
4. Keep Under Cover - 3:05 (Pipes of Peace)
5. I Don't Wanna Face It - 3:22 (Milk and Honey)
6. You Can't Fight Lightning - 5:41 (Stop and Smell the Roses)

Side B (23:06)
7. Blow Away - 4:00 (George Harrison)
8. One of the Boys - 3:34 (Estefy Lennon)
9. Ballroom Dancing - 4:07 (Tug of War)
10. Woman - 3:32 (Double Fantasy)
11. Flying Hour - 4:04 (Somewhere in England)
12. Wanderlust - 3:49 (Tug of War)

John Lennon felt inspired to make new music following a trip to Bermuda, even recording some demos, but then decided that he couldn't do it alone. A visit from Paul McCartney, also having a batch of demos of his own, sparked the possibility of the first Beatles album since 1976, and upon bringing George Harrison and Ringo Starr (who was due to star in Caveman and engaged to his new girlfriend Barbara Bach), the four men were back together in the studio with George Martin in the producer's chair once again. The sessions were so fruitful that, at one point, it was even suggested to put out a double album, before it was ultimately decided that a single album would be better for commercial purposes, with the remaining tracks being held off for a follow-up release.

The resultant album, Skywriting by Word of Mouth, was a huge success, reaching #1 in many countries, as did the three singles "Take It Away", "Woman" and "Blow Away". In fact, even while it was unsure how the album would fare, a reunion tour had been put in place for the rest of 1981 and into 1982. Long and short, Skywriting was a huge deal, receiving many positive reviews from fans and critics. However, later reception towards the album would cool off, noting that it was a success off the heels of the Beatles reuniting.

During the Beatles Skywriting Tour, the four members would bring their families with them, with Julian Lennon even joining his father and hanging out with the other Beatles kids. It was also during that happy time that Madeline Kahn, John's wife, would give birth to a baby girl, Alice Paula Lennon, on February 6, 1982. After the tour would come to a close, the Beatles would take some time off before returning to the studio to finish up their work on the follow-up to Skywriting by Word of Mouth. But could it really live up to the hype, and did the Beatles have a place in music in the 1980s?

War and Peace (February 4, 1983)
Side A (21:18)
1. Tug of War - 4:22 (Tug of War)
2. Tears of the World - 4:00 (Thirty-Three & ⅓)
3. She's a Friend of Dorothy - 3:56 (Estefy Lennon)
4. Not Such a Bad Boy - 3:19 (Give My Regards to Broad Street)
5. Wrack My Brain - 2:21 (Stop and Smell the Roses)
6. So Bad - 3:20 (Pipes of Peace)

Side B (22:16)
7. Dream Away - 4:29 (Gone Troppo)
8. Cleanup Time - 2:58 (Double Fantasy)
9. The Pound is Sinking - 2:54 (Tug of War)
10. Life Itself - 4:25 (Somewhere in England)
11. Pipes of Peace - 3:56 (Pipes of Peace)
12. Nobody Told Me - 3:34 (Milk and Honey)

The first song out of War and Peace to be released to the world was George's "Dream Away", which ended up on Time Bandits, released under Apple Films in 1981. It would be a couple of years before it was actually included on an album. Among the new songs recorded for War and Peace were Paul's "Not Such a Bad Boy", "So Bad" and "Pipes of Peace", and John's "She's a Friend of Dorothy" and "Beautiful Child (Darling Children)", the latter of which was a song written for John's newborn daughter Alice, although it wouldn't make the final track listing. Retrospectively, many felt that "Beautiful Child" would've been a better fit for War and Peace instead of "So Bad"; even Paul himself shared that sentiment, calling "Beautiful Child" one of his favorites from John.

During the new sessions, the Beatles would find themselves collaborating with Michael Jackson for a one-off single release, "Say Say Say" backed with "The Man", both co-written with Paul, who ended up co-singing the A-side. The B-side, after tweaking some lyrics, would be sung between John and Michael. The single wound up becoming a #1 hit in the United States.

War and Peace was intended to be released in time for the Christmas market, but due to extra work being needed, the release date was held back to February 4, 1983, with the first single being John's "Nobody Told Me". The second single was "Wrack My Brain", written by George and sung by Ringo, but while both singles made the Top 10, neither hit #1. However, in the United Kingdom, "Pipes of Peace" hit #1, with a music video being depicting the 1914 Christmas truce between British and German troops, in which the Beatles each play soldiers on the battlefield and Paul (playing a British soldier) and John (playing a German soldier) accidentally swap pictures of loved ones at the end.

Overall, War and Peace got mixed reviews compared to Skywriting by Word of Mouth, and despite reaching #1 in both the United States and the United Kingdom, its staying power wasn't as strong. And with this marking twenty years since the release of Please Please Me, coupled with many in the music press calling the Beatles "ancient" compared to the likes of Prince, Madonna and, ironically, Michael Jackson, that was adding insult to injury. No tour was done for War and Peace as the Beatles wanted to focus on other things.

Paul was the most active out of the Beatles, completing a long-term passion project of his own since 1970, Rupert and the Frog Song, accompanied by a song he'd recorded just before the Skywriting sessions, "We All Stand Together". Also in 1984, he would release his sixth solo album Give My Regards to Broad Street, and two years later, he would put out Press to Play. John and George each put out a solo album in 1985 - Menlove Ave. and Somewhere in England, respectively.

Ringo was the only one to not release an album during that period; instead, he would act as the narrator for Apple Television's Thomas the Tank Engine and Friends, and would stay in that role for three seasons, being released in 1984, 1986 and 1989, respectively. The show would catch the interest of Jim Henson, creator of the Muppets and founder of Henson International Television, who offered for his company to serve as distributor of Thomas for international markets. This resulted in several collaborations between Henson and Apple Corps, among the first being Labyrinth, starring David Bowie as Jareth the Goblin King, and a film adaptation of Little Shop of Horrors directed by Henson's close friend Frank Oz. By the 1990s, the Muppets would become a part of the Apple family.

But the Beatles' crowning moment between 1983 and 1986 was unquestionably Live Aid in 1985, in which they performed to provide famine relief in Ethiopia, serving as the final act of the London show. Their setlist comprised of "Sgt. Pepper's Lonely Hearts Club Band", "Come Together", "Here Comes the Sun", "Yesterday", "Imagine", "With a Little Help from My Friends" and "The End", before joining the rest of Band Aid for "Do They Know It's Christmas?". Although Apple stablemates Queen were considered the show stealers, many agreed that the Beatles still put on a worthy performance that could compete with Queen. That same year, the Beatles had recorded "Save the World", written by George, for Greenpeace - The Album.

Return to Pepperland (June 26, 1987)
Side A (23:03)
1. Circles (Introduction) - 2:37 (Gone Troppo)
2. Return to Pepperland - 4:57 (Return to Pepperland)
3. When We Was Fab - 3:57 (Cloud Nine)
4. I'm Stepping Out - 4:02 (Milk and Honey)
5. This One - 4:10 (Flowers in the Dirt)
6. Attention - 3:20 (Stop and Smell the Roses)

Side B (22:12)
7. Breath Away from Heaven - 3:36 (Cloud Nine)
8. Watching the Wheels - 3:31 (Double Fantasy)
9. This is Love - 3:48 (Cloud Nine)
10. Only Love Remains - 4:13 (Press to Play)
11. Wreck of the Hesperus - 3:31 (Cloud Nine)
12. Help Me to Help Myself - 3:33 (Estefy Lennon)

With 1987 set to mark twenty years since the release of both Merseyside and Magical Mystery Tour, the Beatles felt it was time to put out another album. Marking a big change in their sound was the arrival of Electric Light Orchestra frontman Jeff Lynne in the producer's seat, which would lead to many collaborations with George. In fact, Return to Pepperland was very much George dominant, with Paul and John each having secondary roles with the former even providing "Attention" for Ringo to sing. The production of the album would recall that of the 1960s while also sticking to the (then) present of 1987, and yet, despite this mishmash of sounds, Return to Pepperland would go on to be a huge success for the Beatles, with some even calling it their best album since 1974's Band on the Run.

The Beatles Pepperland Tour would have its legs spread out across 1987 to 1989, to allow room for the members to put out solo projects, with a live album eventually being released in 1990 as Tripping the Live Fab. Among those solo projects was the Traveling Wilburys, in which George and Jeff would record material with Tom Petty, Bob Dylan and Roy Orbison, the latter of whom had signed onto Apple as part of a comeback. The group had formed in 1986 with their first album, Trembling Wilburys, being released in 1987. Their follow-up, Handle with Care, showed that the supergroup had perfected their craft, but it wouldn't last long due to Orbison's death in 1988. 1989 would see the release of Under the Red Sky, dedicated to his memory, and the next two albums, Inside Out and Runaway Train weren't as well received, eventually leading to the Wilburys' split in 1991.

George wasn't the only Beatle with his own agenda; Paul McCartney had co-written several songs with Elvis Costello, eventually resulting in an album which was called Flowers in the Dirt, after a lyric in the song "That Day is Done". The album's biggest highlights (and therefore hit singles) were "My Brave Face" and "Veronica". Ringo Starr had also gotten together with former Eagles guitarist Joe Walsh, in which they would form the All-Starr Band, an ever-rotating lineup of artists from the 1960s, 1970s and 1980s coming together on stage to perform their biggest hits from their former groups.

Unusually, John Lennon was perhaps the least active during 1988 and 1989, with one of his most prominent appearances being at the Beatles' induction into the Rock and Roll Hall of Fame, presented by Mick Jagger. Jagger himself was in the midst of reviving the Rolling Stones for the first time since 1976 as Mick Jagger's Rolling Stones - truly a revival of the 1960s after their supposed death in 1976. Towards the end of 1989, John would play some solo shows in New York with Julian accompanying him and signing autographs for fans after each show. However, on one of those nights, Mark David Chapman had come with the intention of shooting John Lennon, a plan almost a decade in the making, and when he fired at the Beatle, Chapman instead shot at the Beatles' roadie Mal Evans, who had pushed John out of the way, saving his life, but at the cost of his own. Evans would die from his injuries and John would leave the spotlight for a while to grieve his friend.

The Beatles' first single of the 1990s was a re-recording of "My Brace Face" for Nobody's Child: Romanian Angel Appeal, which happened thanks to Olivia Harrison raising concerns to George about the suffering orphaned children in Romania were going through following the collapse of Communism. That same year also saw the release of the next Beatles compilation album The Best of the Beatles: 1975-1986, otherwise known as The Orange Album, following the releases of 1962-1966/Red1967-1969/Blue and 1970-1974/Green1975-1986/Orange would cover songs from Rock ShowRoots: The Beatles Sing the Great Rock & Roll HitsBeatles at the Speed of SightSkywriting by Word of Mouth and War and Peace, as well as non-album tracks from the era such as "Wonderful Christmastime", "Say Say Say" and "Save the World".

1991 would see John Lennon re-enter the spotlight after his near death in New York, boosted by the recording of "My Brave Face (Nobody's Child Version)", and he would release an album called Hold On, which was inspired by the evolving grunge scene that would define the decade. With sparse arrangements featuring Ringo on drums and Klaus Voormann on bass, it would be regarded as John's equivalent to Bob Dylan's Blood on the Tracks and Neil Young's Tonight's the Night. That same year, the Beatles would make an appearance on MTV Unplugged, and an album would afterward be released. Now, this was all well and good, but the question was, when would the Beatles put out their next album of new material?

Cloud Nine (February 1, 1993)
1. Here We Go Again - 4:50 (Menlove Ave.)
2. Cloud Nine - 3:15 (Cloud Nine)
3. Biker Like an Icon - 3:26 (Off the Ground)
4. Don't Go Where the Road Don't Go - 3:20 (Time Takes Time)
5. Calico Skies - 2:32 (Flaming Pie)
6. Steel and Glass - 4:10 (Menlove Ave.)
7. Devil's Radio - 3:52 (Cloud Nine)
8. Figure of Eight - 3:25 (Flowers in the Dirt)
9. This Guitar (Can't Keep from Crying) - 3:55 (Extra Texture [Read All About It])
10. I Found Out - 3:37 (John Lennon/Plastic Ono Band)
11. Hope of Deliverance - 3:22 (Off the Ground)
12. Fish on the Sand - 3:22 (Cloud Nine)
13. Whatever Happened To - 3:39 (Estefy Lennon)
14. C'mon People - 5:46 (Off the Ground)
Total length: 52:31

With the rise of the compact disc format in the world of music, the Beatles saw an opportunity to get ambitious once again by putting out single albums longer than fifty minutes. If Return to Pepperland was their Merseyside of the 1980s, then Cloud Nine would be their 1990s equivalent to their two self-titled albums (I/White and II/Black) from 1968. There was no underlying concept for Cloud Nine, as the songs would cover a wide variety of genres and styles, with John's grunge influence continuing from Hold On onto songs like "Steel and Glass" and "I Found Out". As a matter of fact, there were some political undertones in songs such as George's "Devil Radio" and Paul's "C'mon People", both of which would come out as singles, but neither would reach #1, with Cloud Nine becoming the Beatles' first album since Rock Show to not have a #1 hit attached to it.

Yet despite this setback, Cloud Nine actually managed to reach #1 in several countries and was generally very well received, although reviews were not as strong as those for Return to Pepperland. Another tour would take place between 1993 and 1994 to support Cloud Nine, and would be even bigger than the Pepperland Tour. In fact, it would be the Beatles' biggest tour up until that point. Behind the scenes, however, there were talks of a documentary that would cover the Beatles' story up until that point, and that project would be known as Anthology.

Originally titled The Long and Winding Road, it was originally put together by Neil Aspinall back in the early 1970s, but it would remain on the shelf for several years, with an attempted revival in the 1980s also falling through. George Harrison did not like the idea of a Beatles documentary being named after a Paul McCartney song, and in response, Paul suggested that George write a song for the documentary himself. George unearthed a song from the Skywriting by Word of Mouth sessions called "All Those Years Ago", which he intended to have Ringo sing, but he didn't like the lyrics and found it too high for his vocal range. With new lyrics, "All Those Years Ago" became the first new song recorded for the Anthology project.

Not wanting to be outdone, the other three Beatles each had their own song for Anthology - for Ringo, it was "Really Love You", a jam between himself, Paul and George as well as Jeff Lynne. For Paul, it was "Little Willow", a song written as a tribute to Maureen Starkey following her death from leukemia in 1994, recalling "Hey Jude" lyrically with a dedication to her children. And for John, it was "India, India", which had origins going back to the 1970s. Although fans got to hear new music from the Beatles, it was all for naught as Anthology, originally planned as a working title, would stick as the final name for the documentary. However, many fans feel that "All Those Years Ago" was the true theme for Anthology.

Six Anthology albums would be released between November 1995 and April 1996, with each covering a specific time period in the Beatles' recording history. The first Anthology, including "All Those Years Ago", would cover the period between 1958 to 1964, from the Beatles' pre-EMI recordings to the sessions that produced Beatles for Sale. Anthology 2 covered the period between the Help! album sessions and "Lady Madonna" single sessions, February 1965 to February 1968. Anthology 3, containing "Really Love You", covered the rest of 1968 and all of 1969, starting with several of the Esher demos that led to the two self-titled albums, and finishing with the Two of Us sessions.

Anthology 4 and 5 would both cover the 1970s between them. The former included "Little Willow" along with session takes from Everest: A Rock Symphony, Imagine, Ram and Mind Games, and the latter would cover Band on the Run, Rock Show, Roots and Beatles at the Speed of Sight, as well several home demos such as "Free as a Bird", "Real Love" and "Now and Then". The sixth and final Anthology album would cover the entirety of the 1980s and the first few years of the 1990s, as well as the final track recorded for the project, "India, India", and a remixed/re-recorded version of "The End". All six albums would provide a gateway for new fans to discover the Beatles' music, and it was further boosted by the release of the first Live at the BBC album back in 1994. But the best was yet to come from the band in the 1990s...

Flaming Pie (May 2, 1997)
1. Free as a Bird - 4:26 (Anthology 1)
2. The World Tonight - 4:06 (Flaming Pie)
3. Any Road - 3:52 (Brainwashed)
4. Young Boy - 3:54 (Flaming Pie)
5. Flaming Pie - 2:30 (Flaming Pie)
6. Rising Sun - 5:27 (Brainwashed)
7. King of Broken Hearts - 4:44 (Vertical Man)
8. Borrowed Time - 4:29 (Milk and Honey)
9. Somedays - 4:15 (Flaming Pie)
10. Stuck Inside a Cloud - 4:04 (Brainwashed)
11. Real Love - 3:54 (Anthology 2)
12. Beautiful Night - 5:04 (Flaming Pie)
13. Between the Devil and the Deep Blue Sea - 2:34 (Brainwashed) [hidden track]
Total length: 53:19

In 1976, while drunk on stage, Eric Clapton made some disparaging remarks about immigrants, comments which he had since regretted. But no matter how long ago it's been, sooner or later, such remarks may come back to haunt you. Indeed, come 1996, Clapton would be bludgeoned to death by a deranged fan outside of his hotel room at the age of 51; his planned performance at Hyde Park for the Prince's Trust was subsequently canceled due to the incident. George Harrison was among those who was affected by his friend's murder - doubly so with John Lennon's close call in 1989 - and thereby increased security at Friar Park, which ended up saving his life three years later when a man called Michael Abrams tried to break in to kill George.

As a tribute to Clapton, George included a dedication in the liner notes for his next album, Gone Troppo, and recorded a version of "Run So Far", which he gave away to Clapton for his 1989 album Journeyman. John would also release a solo album in 1996 titled Between the Lines, and rather infamously, he would re-record some older Beatles songs in a rap style, which was met with inevitable backlash. Embarrassed by this, John would return to the studio with the other Beatles to record their next album Flaming Pie, which would consist of several songs that were previously recorded, but never put on a proper album. One such example was "Beautiful Night", originally started in 1986 but didn't make the cut for Return to Pepperland.

Flaming Pie was heralded as a return to the classic Beatles sound, and would go down as one of their greatest ever achievements, although it would be kept off the top spot by the Spice Girls' debut album Spice; still, Flaming Pie's success showed that the Beatles still had a place in the music scene despite its members being in their fifties. However, no tour would take place as George was recovering from lung cancer; likewise, Madeline Kahn had undergone surgery to remove her ovaries, and John wanted to be by her side while she recovered.

The album's six singles - "Free as a Bird", "Young Boy", "Any Road", "Real Love", "King of Broken Hearts" and "Beautiful Night" - were all Top 20 hits, the former two even reaching #1, giving the Beatles at least one #1 hit across four decades. This showed that even as the music world was constantly growing and evolving, the Beatles still always had something new to say, solidifying the 1990s as their renaissance period. And with 1998 marking thirty years since the formation of Apple Corps, it really seemed as though the Beatles had done everything they possibly could.

1999 would see the release of Ringo's Vertical Man, and later that year, under the pseudonym the Nerk Twins, John and Paul recorded a covers album titled Rock 'n' Roll. George didn't release a new album that year, but he helped to co-produce Nirvana's sixth album to which he gave away the title, Your Planet is Doomed - Vol. 1, perfectly reflecting on the dark sense of humor that they shared. The year would also see the Beatles perform their final two shows of the century - the first at the Glastonbury Festival in Scotland, and the second at the new Cavern Club. Their final release of the decade would be an extended play called Christmas with the Beatles, featuring a new song "Come On Christmas (Christmas Come On)" with Ringo on vocals.

Portrait of Four Leg Ends (June 7, 2002)
1. Horse to the Water - 5:01 (Small World, Big Band)
2. Driving Rain - 3:26 (Driving Rain)
3. I'm Losing You - 3:52 (John Lennon Anthology)
4. Pisces Fish - 4:50 (Brainwashed)
5. Run Devil Run - 2:36 (Run Devil Run)
6. Now and Then - 4:05 (1967-1970) [2023 edition]
7. Marwa Blues - 3:40 (Brainwashed)
8. Rinse the Raindrops - 3:14 (Twin Freaks)
9. Love First, Ask Questions Later - 4:45 (Ringo Rama)
10. Your Loving Flame - 3:43 (Driving Rain)
11. Grow Old with Me - 3:21 (Gimme Some Truth: The Ultimate Mixes)
12. Brainwashed - 6:07 (Brainwashed)
Total length: 48:40

While the Beatles remained a dominant force in the 20th century, the 21st century left people wondering where they could go and if they still had a place left in the world. Well, their first release of the new millennium was the compilation album 1, covering all forty-six of their number one hits from 1962 to 1997, spread out over two CDs, and reaching #1 in many countries, selling 31 million copies worldwide both on vinyl and CD formats.

Feeling that they had little left to say after nearly forty years of being together, the Beatles decided to record one final album to properly say goodbye to their fans. Of course, not everything ever goes according to plan, for on September 11, 2001, the Twin Towers in New York City would be destroyed by an airplane hijacked in a terrorist attack. John Lennon and Paul McCartney would witness the event and record a track called "Freedom" as a response, with the intended message being "We shall overcome." A nice sentiment, but certain groups would take it as a pro-war stance, which was what led to John speaking negatively about the song in retrospect, and "Freedom" has never been performed live ever since.

For the Beatles' final album, Portrait of Four Leg Ends, John suggested that they go all out on the album, and, in his own words, "throw everything at it, including the bloody kitchen sink." Once again, a wide variety of genres and styles would be covered, including jazz ("Horse to the Water"), electronica ("Rinse the Raindrops"), orchestral pop ("Grow Old with Me") rock and roll ("Run Devil Run"), instrumental blues ("Marwa Blues"), psychedelia ("Love First, Ask Questions Later"), grunge ("I'm Losing You"), pop ballad ("Your Loving Flame") and raga rock ("Brainwashed").

The final song recorded for Portrait of Four Leg Ends - and therefore, the last ever Beatles song to be recorded - was "Now and Then". There was nothing said amongst the four once the recording was completed; just silent acknowledgement, along with the shaking of hands, that this was it. What had begun forty-five years ago with a meeting between John Lennon and Paul McCartney after a Quarrymen show on July 6, 1957 had now come to a close with the recording of "Now and Then" in March 2002. There's nothing you can say after that.

Three months later, Portrait of Four Leg Ends was finally released to the public, exactly forty years since since the Beatles' first EMI recording session. The album sold out very quickly in stores; so quickly, in fact, that buying customers were outright getting it straight from the boxes rather than on the shelves. The accompanying single, "Now and Then", managed to reach #1 in the United Kingdom, and it would eventually be added to future releases of 1, marking forty-seven #1 hits across forty years. Although the album's schizophrenic quality and and random mix of genres was criticized, many would defend that the Beatles have never been afraid to push the envelope, and that Portrait of Four Leg Ends was a perfect... well, portrait of that. One would have to go as far back as 1966's Revolver to see (and hear) that.

Give Us a Kiss Vol. 3 (March 7, 2003)
1. Life Begins at 40 - 3:36 (Estefy Lennon)
2. Say Say Say [w/ Michael Jackson] - 3:55 (Pipes of Peace)
3. The Man [w/ Michael Jackson] - 3:55 (Pipes of Peace)
4. Beautiful Child (Darling Children) - 4:02 (Double Fantasy)
5. Save the World - 4:58 (Greenpeace - The Album)
6. Love Come Tumbling Down - 4:24 (Flaming Pie)
7. Zig Zag - 2:45 (Cloud Nine)
8. My Brave Face (Nobody's Child Version) - 3:18 (Flowers in the Dirt)
9. All Those Years Ago - 3:45 (Somewhere in England)
10. Really Love You - 5:18 (Flaming Pie)
11. Little Willow - 2:58 (Flaming Pie)
12. India, India - 3:07 (Estefy Lennon)
13. Rocking Chair in Hawaii - 3:08 (Brainwashed)
14. What in the... World - 3:29 (Vertical Man)
15. Heaven on a Sunday - 4:26 (Flaming Pie)
16. Not for Love, Nor Money - 2:39 (unreleased John Lennon demo)
17. Come On Christmas, Christmas Come On - 3:36 (I Wanna Be Santa Claus)
18. Freedom - 3:34 (Driving Rain)
19. Rinse the Raindrops (10 Minute Version) - 10:08 (Driving Rain)
Total length: 77:01

Two Beatles compilations would come out in 2003; March saw the release of Give Us a Kiss Vol. 3, gathering all of their non-album tracks from 1981 to 2001, as well as a ten minute version of "Rinse the Raindrops". April would see the release of The Best of the Beatles: 1987-2002, otherwise known as The Purple Album, covering the best material from Return to Pepperland, Cloud Nine, Flaming Pie and Portrait of Four Leg Ends, as well as a few non-album tracks like "My Brave Face" and the Anthology tetralogy. The Purple Album was also included with The Red (1962-1966), Blue (1967-1969), Green (1970-1974) and Orange (1975-1986) Albums in the box set The Best of the Beatles: 1962-2002.

To make their farewell even bigger, the Beatles would go on The Fab Forever Tour between 2003 and 2004, with the final show taking place in their hometown of Liverpool, and their final encore consisting of "I Saw Her Standing There" as well as a few rock and roll covers, concluding with "Twist and Shout". Highlights of the tour would be included on the live album The Beatles' Farewell to the World. Audiences would be packed from fans who had been there since the early days of Beatlemania, to new fans who were excited to see the Beatles perform live for the very first time.

After that final show, the Beatles would go their separate ways and move on with their lives. The first time they would be together in public following that final show would be at the premiere performance of the Cirque de Soleil show Love in Las Vegas in 2006, along with their families, Brian Epstein (in his last public appearance until his death in 2010), George Martin and his son Giles. A remix album, released in conjunction with the show, would be senior Martin's final work with the Beatles until his death in 2016.

With Giles Martin now a part of the Beatles family, he would be involved in remastering their archival releases up until 1987 for the digital market, and on September 9, 2009, all twenty-eight of their studio albums, as well as the Rock 'n' Roll Music and Give Us a Kiss (now combined into a singular release) compilations, would be released together in a box set for the CD and vinyl formats - well over 400 songs in total! The first seven albums on CD would include both mono and stereo mixes so fans could pick whichever they preferred. In 2014, both The Red and Blue Albums would be re-released with new track listings, including more songs that weren't included the first time around. In addition to this, there was the release of The Best of the Beatles: 1970-2002, including additional songs that weren't included on The Green, Orange and Purple Albums.

Amongst the most notable Beatles reunions included John's 70th birthday bash at Madison Square Garden in 2010, as well as the Beatles' History Tour in 2013 and 2014, marking fifty years since Beatlemania first kicked off. This would turn out to be their final ever tour as John Lennon would be diagnosed with Alzheimer's disease some time after the final show. He died at his home in Scotland on August 21, 2019 at the age of 78. Upon his death, Paul, George and Ringo would release a joint statement, announcing that the Beatles as a partnership would be no more without John. Their final performance together was at The Concert for John on October 9, 2020, marking what could have been his eightieth birthday. The concert would conclude with a rendition of "Imagine", featuring everyone who partook in it, including John's daughter Alice Lennon, guitarist and frontwoman of the Spyders.

And in the end...
Between 2004 and 2019, the Beatles each took their own paths; Paul would continue to release music, beginning with 2005's Chaos and Creation in the Studio with Nigel Godrich as producer, and has toured extensively ever since. Ringo has likewise followed a similar path with his backing group The Roundheads, all a part of his All-Starr Band and gone on tours and released new albums, and his considered one of the most likable figures in music. Living up to his reputation as the Quiet Beatle, George's musical output has been rather sporadic, focusing more on his gardening and producing movies. He has been expected to live for at least thirty more years after being cured of lung cancer, and as of 2023, at the age of eighty,  George may have a few more years left in him.

But what about John? Where did he land between the two extremes of living a quiet private life and going out on the road every few years? The answer is, somewhere in between. He'd put out a few albums and occasionally did solo tours, but ever since that awful night in 1989, John had stopped giving autographs to fans and responding to fan mail (the other three would also follow suit, with Ringo even recording a video about it), preferring instead to head straight to his hotel rooms. Some time after his diagnosis with Alzheimer's, he began working on material for at least one more album, should worse come to worst. Amongst those recordings was a reworking of the Beatles' "In My Life", this time being a reflection on his past as a man in his 70s rather than his 20s. It would end up being released on his final album, released shortly after his death, Legacy.

With the three surviving Beatles all into their eighties, the road ahead looks shorter than before, but their legacy will outlive them, and they are still, to quote a song of theirs from 1973, the greatest. And you'd better believe it, baby!

Monday, February 12, 2024

The Second Coming - The Zombies Discography (1965-1967)

The Zombies are something of an enigma amongst 1960s rock groups. Although they were putting out quality music that could rival that of the Beatles, the Rolling Stones, the Kinks, the Who, etc., the public either didn't know they existed or simply didn't care for the Zombies. Why was this? It's hard to say, but despite putting out so many singles, the group was never allowed to release a follow up to Begin Here until 1968 with Odessey and Oracle, which ended up becoming regarded as one of the classics... long after they'd broken up. So yeah, it was a classic case of too little, too late, and it wasn't until 2019 that the Zombies were finally inducted into the Rock and Roll Hall of Fame, and as recent as last year, they put out a new album.

But did it really have to end this way for the Zombies? By doing some research concerning which songs were recorded during which sessions, as well as how to arrange them, I've reworked the Zombies' pre-Odessey and Oracle discography and compiled the new(ish) albums based upon recording sessions.

Begin Here
(January 29, 1965)
Side A (15:22)
1. She's Not There - 2:20 (Begin Here)
2. Summertime - 2:17 (Begin Here)
3. It's Alright with Me - 1:49 (Begin Here)
4. Kind of Girl - 2:09 (Begin Here)
5. You Make Me Feel Good - 2:36 (Begin Here)
6. Sometimes - 2:05 (Begin Here)
7. Leave Me Be - 2:06 (Begin Here)

Side B (15:51)
8. Tell Her No - 2:09 (Begin Here)
9. Sticks and Stones - 2:56 (Begin Here)
10. Woman - 2:25 (Begin Here)
11. I Don't Want to Know - 2:07 (Begin Here)
12. I Remember When I Loved Her - 2:00 (Begin Here)
13. What More Can I Do - 1:38 (Begin Here)
14. Walking in the Sun - 2:36 (Odessey and Oracle)

Surprisingly enough for a British band, the Zombies' debut album was released in America first, with a different track listing coming out three months later in their home country. Given that it had "She's Not There" and "Tell Her No" on the track listing, I used the American eponymous album as a basis for the revised Begin Here, focusing on the sessions that took place between June and November 1964. I've no idea why "Walking in the Sun" wasn't released at the time, but I bet that its inclusion would've helped to prove to the world that the Zombies were not to be underestimated!

Recording sessions: June 12 (Tracks 1-3, 5), August 31 and September 5 (Tracks 4, 6, 7 and 10), and November 24 (Track 9) and 25, 1964 (Tracks 8, 11-14)

The Zombies Again
(July 9, 1965)
Side A (14:26)
1. She's Coming Home - 2:33 (Begin Here)
2. I Can't Make Up My Mind - 2:37 (Begin Here)
3. The Way I Feel Inside - 1:28 (Begin Here)
4. Work 'n' Play - 2:07 (Begin Here)
5. You've Really Got a Hold on Me/Bring It On Home to Me - 3:39 (Begin Here)
6. Come On Time - 2:02 (Zombie Heaven)

Side B (14:03)
7. I Want You Back Again - 2:15 (The Zombies)
8. Can't Nobody Love You - 2:15 (Begin Here) 
9. I Must Move - 1:55 (Begin Here)
10. Just Out of Reach - 2:06 (Begin Here)
11. Remember You - 1:57 (Begin Here)
12. I Got My Mojo Working - 3:35 (Begin Here)

Unlike my revision of Begin Here above, the second reworked Zombies album, subtitled Again, is only twelve tracks long, and comes up less than thirty minutes long. This was mainly because I didn't want to resort to using covers that were recorded during that period, focusing instead on original material written by Rod Argent and Chris White (with the odd contribution from Colin Blunstone like "Just Out of Reach"). Again, I've taken inspiration from the OTL track listing of Begin Again, replacing any pre-December 1964 recordings with an equivalent track.

Recording sessions: December 10 (Tracks 3, 5, 8) and 12, 1964 (Tracks 2, 4), and March 2, 1965 (Tracks 1, 6, 7, 9-11)

I don't know exactly when "I Got My Mojo Working" was recorded, only that it was in December 1964 at one of the two sessions that month.

Don't Go Away
(June 24, 1966)
Side A (18:26)
1. Whenever You're Ready - 2:42 (Begin Here)
2. Don't Go Away - 2:33 (Begin Here)
3. She Does Everything for Me - 2:14 (Odessey and Oracle)
4. How Were We Before - 2:04 (Begin Here)
5. I Love You - 3:20 (Begin Here)
6. Indication - 3:00 (Begin Here)
7. I'll Call You Mine - 2:33 (Odessey and Oracle)

Side B (17:18)
8. Gotta Get a Hold of Myself - 2:26 (Odessey and Oracle)
9. If It Don't Work Out - 2:26 (Odessey and Oracle)
10. Nothing's Changed - 2:29 (Odessey and Oracle)
11. I'll Keep Trying - 2:30 (Zombie Heaven)
12. I Know She Will - 2:32 (Zombie Heaven)
13. Don't Cry for Me - 2:13 (Odessey and Oracle)
14. Is This the Dream - 2:42 (Begin Here)

Bonus tracks
15. One Day I'll Say Goodbye - 2:52 (Zombie Heaven)
16. I Don't Want to Worry - 2:31 (Zombie Heaven)
17. A Love That Never Was - 2:17 (Zombie Heaven)
18. Out of the Day - 2:22 (Zombie Heaven)

While the above two albums were based upon the different track listings for the Zombies' debut album on both sides of the Atlantic, The Dream was more or less created from scratch, with the second side being adapted from the 2000 album R.I.P.. As you can tell from the sessions below, there wouldn't be enough original material to make a complete album for a late 1965 release, so I stretched out the sessions into May 1966 so that the Zombies were able to release at least one album per year. Still, it's all good stuff they recorded, so I don't think it matters too much if it was delayed or not. I've also tacked on four bonus tracks at the end, all demoes.

Recording sessions: March 31 (Track 10), June 24 (Tracks 1, 2, 11), July 8 (Tracks 4, 5, 9, 12, 13), November 10, 1965 (Track 14) and May 1966 (Tracks 3, 6-8)

All four bonus tracks were recorded in 1966, albeit full dates are not known; "A Love That Never Was" was recorded in October that year, and "Out of the Day" in November.

Zombie Heaven
(January 27, 1967)
Side A (17:15)
1. Road Runner - 2:06 (Begin Here)
2. Early One Morning - 1:42 (Zombie Heaven)
3. Soulville - 2:19 (Zombie Heaven)
4. Sitting in the Park - 2:22 (Zombie Heaven)
5. Will You Love Me Tomorrow - 2:42 (Zombie Heaven)
6. You Must Believe Me - 2:18 (Zombie Heaven)
7. It's All Right - 3:46 (Zombie Heaven)

Side B (15:51)
8. Goin' Out of My Head - 3:00 (Odessey and Oracle)
9. For You My Love - 1:59 (Zombie Heaven)
10. When the Lovelight Starts Shining through Her Eyes - 2:40 (Zombie Heaven)
11. Rip It Up - 3:28 (Zombie Heaven)
12. This Old Heart of Mine - 2:55 (Zombie Heaven)
13. I'm Going Home - 1:49 (Begin Here)

Bonus track
14. The Look of Love - 2:20 (Zombie Heaven)

Now this album, which I've named Zombie Heaven after the box set in which many of their songs are sourced from, is what I would consider to be a stop-gap release while the Zombies were preparing for material that would eventually become Odessey and Oracle. Being a collection of covers that were left off of the previous three, the track listing is pretty random, and honestly, I feel like all the songs could be played in any order. "The Look of Love", as it was recorded in 1967, is a bonus track due to it being recorded too late for inclusion. However, I could see it appearing as the final track for future re-releases.

Recording sessions: September 29 (Track 2) and November 24, 1964 (Tracks 1, 13); January 26 and February 2 (Tracks 3, 9), February 26, (Track 11), April 20 (Track 6), and September 20, 1965 (Tracks 5, 7, 10); January 8 (Track 4), October 23 (Track 8) and November 1, 1966 (Track 12); October 10, 1967 (Track 14)

I won't be including the track listing for Odessey and Oracle as I can't really see it being any different from what we got, so it will still be released in 1968 in its original form. But what about the Zombies' material post-1968? By that point, they were pretty much dead, and any attempts at revitalizing them for R.I.P. fell through, leaving it unreleased for three decades. However, supposing that the group had played their cards right, what with "Time of the Season" being the first single outright instead of "Friends of Mine" and Colin Blunstone never quitting, the Zombies could have continued into the 1970s, essentially taking after the trajectory of Argent (the group) and Blunstone's early solo career. I've not decided upon track listings, but I'd imagine that this is what the Zombies' post-1968 career would've looked like:

1969: World of Glass
1970: One Year (with tracks from Argent and One Year)
1971: Ring of Hands (with tracks from Ring of Hands, One Year and Ennismore)
1972: Ennismore (with tracks from All Together Now and Ennismore)
1973: In Deep (with tracks from In Deep, Ennismore and Journey)
1974: Journey (with tracks from Nexus and Journey)

World of Glass would mark a transition from Zombies Mk1 to Zombies Mk2; Paul Atkinson and Hugh Grundy both leave the group and are subsequently replaced with Russ Ballard and Bob Henrit on guitar and drums, respectively, with Jim Rodford taking over from Chris White on bass guitar, while the latter remains involved with songwriting and producing. Essentially, it's Argent, but with the Zombies name. The lineup continues until 1974 with both Chris White and Colin Blunstone leaving, as well as Russ Ballard, so Zombies Mk3 introduces John Grimaldi and John Verity on guitar, leaving Rod Argent as the last remaining original member. This lineup is more negatively received, and after Circus and Counterpoints (both released 1975 in the same way as OTL) both flop, the Zombies break up before reuniting in the late 1980s with the Mk1 lineup.

At least, that's how I imagine things would've gone for the Zombies had they not fallen through the cracks...

Monday, January 15, 2024

Beatlesque Vol. 7 - "Return to the Dollhouse" (1989)

I've avoided doing this for three journals in a row, namely due to being unable to figure out how to talk about each song for this playlist and how they're Beatlesque. For this post onward regarding the topic of Beatlesque playlists, I'm going to instead change up the format bit. Amongst the changes will include not restricting each playlist to fourteen songs (but there will still be one track per artist), and rather than talking about each song individually, I'll be talking about how the playlist came together. So, here's the third Beatlesque playlist (but seventh chronologically), Return to the Dollhouse!


Return to the Dollhouse (1987-1989)
  1. No Myth (Michael Penn)
  2. Sowing the Seeds of Love (Tears for Fears)
  3. About a Girl (Nirvana)
  4. The Loving (XTC)
  5. Ship of Fools (World Party)
  6. There She Goes (The La's)
  7. Drown in My Own Tears (The Smithereens)
  8. Keeping the Dream Alive (Münchener Freiheit)
  9. Let Love Rule (Lenny Kravitz)
  10. I Don't Mind at All (Bourgeois Tagg)
  11. You (Bad Religion)
  12. Into Temptation (Crowded House)
  13. Roam (The B-52's)
  14. God Part II (U2)
  15. Don't Stop (The Stone Roses)
  16. I'll Be There for You (Bon Jovi)
By the end of the 1980s, there was a wave of 60s nostalgia, and all of a sudden, the Beatles were a big deal once again. What further helped was that George Harrison and Paul McCartney each received a revival in their respective solo careers with Cloud Nine and Flowers in the Dirt, as well as George playing with the Traveling Wilburys, possibly the last great supergroup to exist. Ringo Starr, of course, would resume his musical career following his stint with Thomas the Tank Engine and form his All-Starr Band.

Out of the tracks I've picked for Return to the Dollhouse, a reference to the working title for The White Album, "Sowing the Seeds of Love" and "There She Goes" seemed to be the most obvious choices for inclusion; the former sounds like it could've easily come from the Sgt. Pepper/Magical Mystery Tour era, and the latter wouldn't have sounded out of place in the earlier albums. "The Loving" also recalls 1967 in its guitar intro and lyrics, and "You" makes a shout out to "We Can Work It Out", as well as Paul's "Maybe I'm Amazed".

While some of the songs recall the 60s, it also makes it clear that it was recorded in the 80s, combining retro throwbacks with the modern sound of the time, not dissimilar to Cloud Nine and Flowers in the Dirt, making Return to the Dollhouse a unique listening experience. With the variety of artists and musical styles present, it also doubles as a sequel to both Sgt. Pepper and The White Album, almost like the love child of both albums.

And now, for the songs that didn't make the cut: XTC's "Collideascope" was cut in favor of "The Loving"; the Beastie Boys' "The Sounds of Science" sampled several Beatles songs, which disqualified it for inclusion; and Elvis Costello's "Veronica" was a songwriting collaboration with Paul McCartney, which also meant that it couldn't be included.

Monday, December 11, 2023

My Ideal Red and Blue Albums (1962-1969)

Fifty years ago, two Beatles compilations were released under Apple Records, those being 1962-1966 and 1967-1970, otherwise known as The Red and Blue Albums, respectively. Spanning the entirety of the Beatles' career across four records, their track listings have always been debated by many Beatles fans, The Red Album especially. Earlier this year, they've been re-released with an extra record each to coincide with the "Now and Then"/"Love Me Do" single, and even though more songs were included, there's once again been debate as to what should and shouldn't have been included.

Therefore, I've decided to throw my own hat into the ring and share how I think The Red and Blue Albums should've gone. In order to do this, I've decided to not only use the 2023 CD track listing as a basis, but another Beatles compilation - The Beatles Box from 1980! That was an eight record box set that covers so much ground in spanning the band's career (and even contains some exclusive mixes like the hi-hat intro to "All My Loving"), although that might be a little much depending on who you ask. My take on The Red and Blue Albums splits the difference between the two compilations, with each having three records (or two CDs) of roughly equal length, covering the Beatles' career in just short of four and a half hours.

I'll be discussing each side individually as we go along, explaining the choices I made and why I did things a certain way. I should state, of course, that this is all purely subjective; your results may differ.

1962-1966 [The Red Album]
Side A (18:37)
1. Love Me Do - 2:24
2. P.S. I Love You - 2:02
3. Please Please Me - 2:00
4. I Saw Her Standing There - 2:52
5. Twist and Shout - 2:33
6. From Me to You - 1:58
7. She Loves You - 2:21
8. I Want to Hold Your Hand - 2:27

One of the first changes I did for The Red Album was that all six sides have eight tracks each, mainly because so many of the songs were quite short. On the original release, two sides contained six tracks, while the other two contained seven, which always puzzled me as The Blue Album had no such issue with seven tracks per side. Anyway, the track listing for this side is the same as that of the first seven tracks on the 2023 CD, with the addition of "P.S. I Love You", which was included on The Beatles Box. Said box set also included "I Saw Her Standing There" and "Twist and Shout".

Side B (19:08)
9. This Boy - 2:16
10. It Won't Be Long - 2:13
11. All My Loving - 2:07
12. Roll Over Beethoven - 2:45
13. You've Really Got a Hold on Me - 3:01
14. I Wanna Be Your Man - 1:59
15. Can't Buy Me Love - 2:12
16. You Can't Do That - 2:35

Tracks 8-13 of the 2023 CD serve as the basis for the second vinyl side, with the inclusion of "It Won't Be Long" and "I Wanna Be Your Man". The former was included on The Beatles Box, whereas the latter wasn't. I threw in "I Wanna Be Your Man" as I wanted to give Ringo a vocal spot much earlier on. "This Boy", "Roll Over Beethoven" and "You Can't Do That" were also included on The Beatles Box. Record one of The Red Album covers the time period of October 1962 to March 1964.

Side C (18:52)
17. A Hard Day's Night - 2:34
18. And I Love Her - 2:30
19. Long Tall Sally - 2:03
20. I Feel Fine - 2:20
21. Eight Days a Week - 2:43
22. No Reply - 2:15
23. I'll Follow the Sun - 1:49
24. Kansas City/Hey-Hey-Hey-Hey - 2:38

Now this is where things get a little more interesting. Beatles for Sale, the unfavorite of the early albums, only got one track to represent it - "Eight Days a Week" is a great song, but it's not the only great song the album has. Therefore, I threw in "No Reply", "I'll Follow the Sun" and "Kansas City/Hey-Hey-Hey-Hey", all featured on The Beatles Box. I even included "Long Tall Sally", also featured on The Beatles Box, so that the EP of the same name got represented, and it's one of the best covers the Beatles did, even ending many of their shows with it.

In total, the first CD runs at 56:37, and covers 1962-1964.

Side D (19:24)
25. Ticket to Ride - 3:09
26. I'm Down - 2:32
27. Help! - 2:18
28. I've Just Seen a Face - 2:05
29. Yesterday - 2:05
30. You've Got to Hide Your Love Away - 2:09
31. We Can Work It Out - 2:16
32. Day Tripper - 2:50

"Ticket to Ride" and "Yesterday" were both featured on the first CD, but I wanted that to focus entirely on 1962-1964. So, the fourth side is based around the Help! period, with the inclusion of "I'm Down" and "I've Just Seen a Face", both included on The Beatles Box, which featured every song from Help! except "Dizzy Miss Lizzy". Record two covers the period of July 1964 to December 1965.

Side E (19:23)
33. Drive My Car - 2:25
34. Norwegian Wood (This Bird Has Flown) - 2:05
35. Nowhere Man - 2:40
36. Michelle - 2:40
37. In My Life - 2:24
38. If I Needed Someone - 2:20
39. Girl - 2:30
40. Paperback Writer - 2:19

Tracks 5-12 on the second CD of the 2023 reissue without any changes to the order. Not much else to talk about here.

Side F (20:31)
41. Rain - 3:02
42. Eleanor Rigby - 2:11
43. Yellow Submarine - 2:40
44. Taxman - 2:36
45. Got to Get You into My Life - 2:31
46. And Your Bird Can Sing - 2:02
47. Here, There and Everywhere - 2:29
48. Tomorrow Never Knows - 3:00

Tracks 13-19 on the second CD of the 2023 reissue with the inclusion of "Rain" and swapping out "I'm Only Sleeping" for "And Your Bird Can Sing". Personally, I've always preferred the latter over the former, and I don't think a personal Beatles playlist would be complete without it. "Rain" definitely should've been on the 2023 reissue as it's one of the Beatles best ever B-sides; the fact that it wasn't is borderline criminal. Both new additions were also included on The Beatles Box. Record three covers half each of Rubber Soul and Revolver, as well as the "Paperback Writer" single, from December 1965 to August 1966.

The second CD runs at 59:18, nearly an hour, and covers 1965 and 1966.

1967-1969 [The Blue Album]
Side A (25:28)
1. Strawberry Fields Forever - 4:05
2. Penny Lane - 3:00
3. Sgt. Pepper's Lonely Hearts Club Band - 2:00
4. With a Little Help from My Friends - 2:42
5. Lucy in the Sky with Diamonds - 3:28
6. Within You Without You - 5:05
7. A Day in the Life - 5:08

For The Blue Album, there's still seven songs per side, and three of them go over 25 minutes in length; this is the first one. Besides swapping out "All You Need is Love" for "Within You Without You", not much has changed from the official first side. In fact, it's exactly the same order as the 2023 CD!

Side B (23:35)
8. All You Need is Love - 3:47
9. Hello, Goodbye - 3:24
10. I am the Walrus - 4:35
11. Magical Mystery Tour - 2:48
12. Lady Madonna - 2:18
13. Hey Bulldog - 3:12
14. Across the Universe - 3:31

The second side of both the original and 2023 track listings felt too Paul-heavy in my opinion. To balance things out, I've dropped "The Fool on the Hill" and replaced it with "All You Need is Love", which is now the side opener. Besides, Magical Mystery Tour (the US album) already has six tracks to represent it, so let's move on. In addition to this, I've moved "Hey Bulldog" and "Across the Universe" up to close out Side B, as both songs have their origins going back to the same timeframe as "Lady Madonna". "Across the Universe" is the Glyn Johns mix as found on the 2021 Let It Be remix. Record one of The Blue Album now covers the period of February 1967 to March 1968, including the two songs recorded during that time period, but not released until much later.

Side C (25:37)
15. Hey Jude - 5:05
16. Revolution - 3:25
17. Back in the U.S.S.R. - 2:46
18. Dear Prudence - 4:00
19. Ob-La-Di, Ob-La-Da - 2:49
20. While My Guitar Gently Weeps - 4:45
21. Happiness is a Warm Gun - 2:47

"Hey Jude" has now been moved to a side opener, and due to its length, I've imagined it being cut down to five minutes in order to fit on the record, similar to the American release of the 1982 compilation 20 Greatest Hits. "Glass Onion" was also swapped in favor of "Happiness is a Warm Gun", which made an appearance on The Beatles Box, and "Ob-La-Di, Ob-La-Da" is the alternate version originally released on Anthology 3. "Back in the U.S.S.R." and "Dear Prudence" are also separate per the 2023 reissue.

The first CD runs at a staggering 74:33, covering all of 1967 and most of 1968.

Side D (23:35)
22. Blackbird - 2:18
23. Don't Pass Me By - 3:51
24. Sexy Sadie - 3:15
25. Helter Skelter - 4:30
26. Julia - 2:57
27. Get Back - 3:09
28. Don't Let Me Down - 3:35

"Blackbird" kicks off the second CD on a gentle note, followed up by four more White Album tracks. "Don't Pass Me By" and "Julia" were both featured on The Beatles Box, whereas "Sexy Sadie" and "Helter Skelter" were not. I included those two tracks to give the second disc of The White Album some representation; why they were left off of The Beatles Box, I'll never understand. Side D concludes with "Get Back" and "Don't Let Me Down", the former being the album version that features John's "I hope we passed the audition" quip at the end. Record two covers The White Album as well as the "Hey Jude" and "Get Back" singles, the time period between August 1968 and April 1969.

Side E (22:53)
29. For You Blue - 2:27
30. I've Got a Feeling - 3:37
31. One After 909 - 2:54
32. The Long and Winding Road - 3:34
33. Let It Be - 4:03
34. The Ballad of John and Yoko - 3:00
35. Old Brown Shoe - 3:18

The Beatles Box presented the Let It Be tracks before Abbey Road, so I've decided to follow that mindset here. "The Long and Winding Road" is the Naked version, and "Let It Be" is the Spector-produced album version; being perfectly honest, I prefer that to the single version. I cut "I Me Mine" in favor of "For You Blue", which showed up on The Beatles Box, also using the Naked version that features more prominent guitar. I also threw in "I've Got a Feeling" and "One After 909", both using the album versions. Side E concludes with "The Ballad of John and Yoko" and "Old Brown Shoe", much like Side C of the original Blue Album track listing.

Side F (25:04)
36. Come Together - 4:19
37. Something - 3:02
38. Oh! Darling - 3:27
39. Octopus's Garden - 2:51
40. Here Comes the Sun - 3:05
41. Because - 2:45
42. Golden Slumbers/Carry That Weight/The End/Her Majesty - 5:35

The final side of The Blue Album is the best of Abbey Road, following that of The Beatles Box, but swapping "Maxwell's Silver Hammer" in favor of "Oh! Darling", per the 2023 reissue. Unlike the 2023 reissue, however, "I Want You (She's So Heavy)" was dropped as it's too freaking long. The "Golden Slumbers" medley plays as one single track, with a five-second gap between "The End" and "Her Majesty", much like The Beatles Box. Record three covers the initial Let It Be sessions and the best of Abbey Road, a time frame of January to September 1969.

The second CD runs at a length of 71:32, covering the rest of 1968 and all of 1969.

Inevitably, there will be those commenting the likes of, "you should've picked that song in favor of this song!" So, much like the 2023 reissue, I've created a pair of bonus discs for each album, but of course, you're not going to please everybody.

Bonus disc for The Red Album
Side G (14:45)
49. Ask Me Why - 2:24
50. Do You Want to Know a Secret - 1:56
51. I Should Have Known Better - 2:43
52. Things We Said Today - 2:35
53. She's a Woman - 3:03
54. Every Little Thing - 2:04

Side H (13:41)
55. Act Naturally - 2:30
56. It's Only Love - 1:56
57. What Goes On - 2:47
58. I'm Looking Through You - 2:23
59. I'm Only Sleeping - 3:02
60. For No One - 2:03

Every bonus track for The Red Album, with the exception of "Ask Me Why" and "What Goes On", have been included on The Beatles Box, and yet there's still enough room to fit everything across two CDs! Please Please Me, A Hard Day's Night, Help!, Rubber Soul and Revolver each get two extra tracks, and Beatles for Sale one extra, as well as an extra B-side, "She's a Woman"; I feel like With the Beatles is already represented as it stands. Disc one would now run at 71:22, and disc two at 72:59.

Bonus disc for The Blue Album
Side G (15:09)
43. When I'm Sixty-Four - 2:37
44. It's All Too Much - 6:26
45. Baby, You're a Rich Man - 3:07
46. The Fool on the Hill - 2:59

Side H (16:02)
47. Glass Onion - 2:18
48. Two of Us - 3:36
49. I Want You (She's So Heavy) - 7:47
50. I Me Mine - 2:21

On the other hand, it wouldn't be possible to include all bonus tracks across two CDs for The Blue Album. "The Fool on The Hill" would have to turn up on disc one, adding just under three minutes to the runtime (77:32), and "Glass Onion" and "I Me Mine" (the Naked version) on disc two (76:11), leaving the remaining five tracks on the cutting room floor. "When I'm Sixty-Four", "Baby, You're a Rich Man" and "Two of Us" all appeared on The Beatles Box, and "It's All Too Much" is a new addition, being recorded in 1967.

The combined length for both bonus discs is 59:37.

In total, excluding the bonus tracks, that's 90 songs covering the entire Beatles' recording history (93 if you consider the medley four separate tracks), which is a bit less than half of their recorded output (213 songs total, excluding alternate versions and Anthology tracks), but still pretty representative overall. But what other songs didn't make the cut? Excluding the tracks that appear on the bonus disc(s), 32 songs that showed up on The Beatles Box were cut. A whole compilation's worth of songs, if you can believe it! They are: (by era)
  • Please Please Me: "Misery", "A Taste of Honey", "Thank You Girl" (B-side)
  • With the Beatles: "Please Mr. Postman", "Money (That's What I Want)"
  • A Hard Day's Night: "If I Fell", "I'll Be Back", "Slow Down" (EP track), "Matchbox" (EP track)
  • Beatles for Sale: "I'm a Loser", "Mr. Moonlight", "I Don't Want to Spoil the Party"
  • Help!: "The Night Before", "I Need You", "Another Girl", "You're Going to Lose That Girl", "You Like Me Too Much", "Tell Me What You See"
  • Rubber Soul: "You Won't See Me"
  • Revolver: "Good Day Sunshine", "Doctor Robert"
  • Sgt. Pepper: "Fixing a Hole", "She's Leaving Home", "Being for the Benefit of Mr. Kite!", "Lovely Rita", "All Together Now" (later released on Yellow Submarine)
  • Magical Mystery Tour: "Your Mother Should Know"
  • The White Album: "The Continuing Story of Bungalow Bill", "Martha My Dear", "I'm So Tired", "Piggies"
  • Abbey Road: "Maxwell's Silver Hammer"
Perhaps I should make a third compilation album to supplement The Red and Blue Albums? Of course, that all depends on which songs I think are worthy enough to be included. Maybe I could call it The Purple Album and throw in the Anthology trilogy of songs at the end?

Monday, November 13, 2023

1970-2023: The Green, Orange, Indigo, Yellow and Violet Albums

To mark the recent reissue of 1962-1966 and 1967-1970 - otherwise known to you and I as The Red and The Blue Albums - the latter of which includes the finally-released "Now and Then", I've decided to compile the individual solo careers of John, Paul, George and Ringo into a series of albums that showcase the solo Fabs at their best. This was not an easy task given that John's solo career was very short, George wasn't very prolific from the 1980s onward, and Paul has more material to choose from than the others (at least until the 2000s, when Ringo suddenly becomes prolific) and could've easily filled up three albums alone.

I want to make it clear that in no way is this meant to be a definitive collection of solo hits; this is merely scratching the surface as to what the Fab Four were capable of when they were no longer a whole. I do apologize if I missed out on one of your favorites. There's only so much I can include, so please, cut me a bit of slack there.

1970-1973 (The Green Album)
Side A (26:59)
1. Instant Karma! - 3:18 (John, non-album single; 1970)
2. Maybe I'm Amazed - 3:53 (Paul, McCartney; 1970)
3. My Sweet Lord - 4:38 (George, All Things Must Pass; 1970)
4. Love - 3:21 (John, Plastic Ono Band; 1970)
5. All Things Must Pass - 3:44 (George, All Things Must Pass)
6. Another Day - 3:43 (Paul, non-album single; 1971)
7. What is Life - 4:22 (George, All Things Must Pass)

Side B (26:41)
8. Power to the People - 3:23 (John, non-album single; 1971)
9. It Don't Come Easy - 3:01 (Ringo, non-album single; 1971)
10. Deep Blue - 3:47 (George, non-album single; 1971)
11. Uncle Albert/Admiral Halsey - 4:49 (Paul, Ram; 1971)
12. Imagine - 3:01 (John, Imagine; 1971)
13. Jealous Guy - 4:14 (John, Imagine)
14. The Back Seat of My Car - 4:26 (Paul, Ram)

Side C (25:43)
15. Tomorrow - 3:28 (Paul, Wild Life; 1971)
16. Happy Xmas (War is Over) - 3:33 (John, non-album single; 1971)
17. Back Off Boogaloo - 3:19 (Ringo, non-album single; 1972)
18. New York City - 4:30 (John, Some Time in New York City; 1972)
19. Hi, Hi, Hi - 3:10 (Paul, non-album single; 1972)
20. My Love - 4:07 (Paul, Red Rose Speedway; 1973)
21. Give Me Love (Give Me Peace on Earth) - 3:36 (George, Living in the Material World; 1973)

Side D (24:16)
22. Live and Let Die - 3:14 (Paul, non-album single; 1973)
23. Photograph - 3:56 (Ringo, Ringo; 1973)
24. Don't Let Me Wait Too Long - 2:57 (George, Living in the Material World)
25. Mind Games - 4:13 (John, Mind Games; 1973)
26. Helen Wheels - 3:45 (Paul, Band on the Run; 1973)
27. Out the Blue - 3:23 (John, Mind Games)
28. You're Sixteen - 2:48 (Ringo, Ringo)

The initial solo years, beginning in February 1970 with John's "Instant Karma!" and concluding in December 1973 with Ringo's "You're Sixteen". The singles for Band on the Run were not released until 1974, hence their absence, although "Helen Wheels" was released prior to the album, but as a non-album single. "Don't Let Me Wait Too Long" was considered for a single release in 1973, but it was canceled. "Give Peace a Chance" and "Cold Turkey" are skipped over as they were released in 1969, while the Beatles were still together.

John and Paul are each represented with nine songs, George with six songs and Ringo with four songs.

1974-1979 (The Orange Album)
Side A (28:47)
1. Jet - 4:09 (Paul, Band on the Run)
2. Oh My My - 4:16 (Ringo, Ringo)
3. Band on the Run - 5:12 (Paul, Band on the Run)
4. Whatever Gets You thru the Night - 3:28 (John, Walls and Bridges; 1974)
5. Junior's Farm - 4:22 (Paul, non-album single; 1974)
6. Dark Horse - 3:54 (George, Dark Horse; 1974)
7. Only You (and You Alone) - 3:26 (Ringo, Goodnight Vienna; 1974)

Side B (26:22)
8. #9 Dream - 4:47 (John, Walls and Bridges)
9. No No Song - 2:33 (Ringo, Goodnight Vienna)
10. Stand by Me - 3:26 (John, Rock 'n' Roll; 1975)
11. Listen to What the Man Said - 3:56 (Paul, Venus and Mars; 1975)
12. Fame - 4:12 (John w/ David Bowie, Young Americans; 1975)
13. You - 3:41 (George, Extra Texture (Read All About It); 1975)
14. Venus and Mars/Rock Show - 3:47 (Paul, Venus and Mars)

Side C (26:29)
15. Silly Love Songs - 3:28 (Paul, Wings at the Speed of Sound; 1976)
16. Let 'Em In - 3:42 (Paul, Wings at the Speed of Sound)
17. This Song - 4:13 (George, Thirty Three & 1/3; 1976)
18. Hey! Baby - 3:11 (Ringo, Ringo's Rotogravure; 1976)
19. Crackerbox Palace - 3:57 (George, Thirty Three & 1/3)
20. Mull of Kintyre - 4:45 (Paul, non-album single; 1977)
21. With a Little Luck - 3:13 (Paul, London Town; 1978)

Side D (27:34)
22. Blow Away - 4:00 (George, George Harrison; 1979)
23. Goodnight Tonight - 4:21 (Paul, non-album single; 1979)
24. Love Comes to Everyone - 3:40 (George, George Harrison)
25. Getting Closer - 3:22 (Paul, Back to the Egg; 1979)
26. Faster - 4:46 (George, George Harrison)
27. Arrow Through Me - 3:37 (Paul, Back to the Egg)
28. Wonderful Christmastime - 3:48 (Paul, non-album single; 1979)

This compilation covers the remainder of the 70s, and during that time, John went on hiatus and Ringo's solo career never reached great heights again after Apple folded. George managed to get some decent success while Paul had the biggest success out of the former Beatles (and got the most criticism heaped upon him). The second disc especially shows just how much chart success Wings had during the latter part of the decade. I like how The Green and Orange Albums draw parallels to The Red and Blue Albums in which the latter focus on the 60s and the former on the 70s.

John and Ringo are represented with four songs each, Paul with thirteen songs, and George with seven songs.

1980-1986 (The Indigo Album)
Side A (24:18)
1. Coming Up - 3:53 (Paul, McCartney II; 1980)
2. (Just Like) Starting Over - 3:56 (John, Double Fantasy; 1980)
3. Waterfalls - 3:20 (Paul, McCartney II)
4. Woman - 3:32 (John, Double Fantasy)
5. Watching the Wheels - 3:31 (John, Double Fantasy)
6. All Those Years Ago - 3:45 (George, Somewhere in England; 1981)
7. Wrack My Brain - 2:21 (Ringo, Stop and Smell the Roses; 1981)

Side B (26:26)
8. Beautiful Boy (Darling Boy) - 4:02 (John, Double Fantasy)
9. Teardrops - 4:07 (George, Somewhere in England)
10. Ebony and Ivory - 3:46 (Paul w/ Stevie Wonder, Tug of War; 1982)
11. Take It Away - 4:02 (Paul, Tug of War)
12. Wake Up My Love - 3:34 (George, Gone Troppo; 1982)
13. The Girl is Mine - 3:42 (Paul w/ Michael Jackson, Thriller; 1982)
14. In My Car - 3:13 (Ringo, Old Wave; 1983)

Side C (27:57)
15. Say Say Say - 3:55 (Paul w/ Michael Jackson, Pipes of Peace; 1983)
16. Dream Away - 4:29 (George, Gone Troppo)
17. Pipes of Peace - 3:28 (Paul, Pipes of Peace)
18. Nobody Told Me - 3:34 (John, Milk and Honey; 1984)
19. No More Lonely Nights - 4:43 (Paul, Give My Regards to Broad Street; 1984)
20. Borrowed Time - 4:29 (John, Milk and Honey)
21. Not Such a Bad Boy - 3:19 (Paul, Give My Regards to Broad Street)

Side D (28:48)
22. We All Stand Together - 4:25 (Paul, non-album single; 1984)
23. I'm Stepping Out - 4:06 (John, Milk and Honey)
24. I Don't Want to Do It - 2:54 (George, non-album single; 1985)
25. Every Man Has a Woman Who Loves Him - 3:18 (John, Every Man Has a Woman; 1984)
26. Press - 4:43 (Paul, Press to Play; 1986)
27. Shanghai Surprise - 5:09 (George w/ Vicki Brown; Shanghai Surprise; 1986)
28. Only Love Remains - 4:13 (Paul, Press to Play)

And now we enter the first part of the 1980s, covering the period between John's comeback (and subsequent murder) in 1980 and just before George's own commercial comeback in 1987. This was a rough time for the former Beatles; Paul seemed to be spinning his wheels when it came to maintaining chart success, and George went AWOL after Gone Troppo, as did Ringo after Old Wave, but the latter found some success by narrating Thomas the Tank Engine and Friends. Even in the worst periods, there's always (well, usually) some good music to be found.

John is represented with eight songs, Paul with twelve songs (including duets), George with six songs (including a duet with Vicki Brown), and Ringo with only two songs.

1987-2000 (The Yellow Album)
Side A (26:28)
1. Got My Mind Set on You - 3:52 (George, Cloud Nine; 1987)
2. Once Upon a Long Ago - 4:16 (Paul, non-album single; 1987)
3. When We Was Fab - 3:57 (George, Cloud Nine)
4. This is Love - 3:48 (George, Cloud Nine)
5. Ferry Cross the Mersey - 3:58 (Paul, non-album single; 1989)
6. My Brave Face - 3:18 (Paul, Flowers in the Dirt; 1989)
7. Handle with Care - 3:19 (Traveling Wilburys, Traveling Wilburys Vol. 1; 1988)

Side B (24:41)
8. This One - 4:10 (Paul, Flowers in the Dirt)
9. End of the Line - 3:30 (Traveling Wilburys, Traveling Wilburys Vol. 1)
10Put It There - 2:07 (Paul, Flowers in the Dirt)
11. Cheer Down - 4:08 (George, non-album single; 1989)
12. All My Trials - 3:28 (Paul, non-album single; 1990)
13. She's My Baby - 3:15 (Traveling Wilburys, Traveling Wilburys Vol. 3; 1990)
14. You Never Know - 4:03 (Ringo, Curly Sue; 1991)

Side C (27:08)
15. Weight of the World - 3:54 (Ringo, Time Takes Time; 1992)
16. Hope of Deliverance - 3:22 (Paul, Off the Ground; 1993)
17. Poor Little Girl - 4:33 (George, non-album single; 1989)
18. Don't Go Where the Road Don't Go - 3:20 (Ringo, Time Takes Time)
19. Off the Ground - 3:40 (Paul, Off the Ground)
20. Free as a Bird - 4:25 (The Beatles, Anthology 1; 1995)
21. Real Love - 3:54 (The Beatles, Anthology 2; 1996)

Side D (29:33)
22. Young Boy - 3:54 (Paul, Flaming Pie; 1997)
23. The World Tonight - 4:04 (Paul, Flaming Pie)
24. King of Broken Hearts - 4:44 (Ringo, Vertical Man; 1998)
25. Beautiful Night - 5:04 (Paul w/ Ringo, Flaming Pie)
26. La De Da - 4:14 (Ringo, Vertical Man)
27. Run Devil Run - 2:36 (Paul, Run Devil Run; 1999)
28. My Sweet Lord 2000 - 4:57 (George, non-album single; 2000)

This compilation covers the rest of the 1980s and the entirety of the 1990s, ending with George's re-recording of "My Sweet Lord" in 2000. The end of the 80s was the point where suddenly, the Beatles were cool once again, and it helped that they were inducted into the Rock and Roll Hall of Fame the same week "Got My Mind Set on You" hit #1 in America. Also new releases were sporadic during the 90s, as usual, there's lots of good music to be found during that time; it's also the point where Ringo can be regarded as a good singer. Due to John's death, he's been replaced by a self portrait while the other three have pictures from the early 90s; George's comes from his last live performance at the Royal Albert Hall in 1992.

John is only represented with the two Anthology songs, Paul with eleven songs (including a charity single), George with nine songs (including those by the Traveling Wilburys), Ringo with five songs, and one song jointly shared between Paul and Ringo.

2001-2023 (The Violet Album)
Side A (28:54)
1. Horse to the Water - 5:02 (George, Small World Big Band; 2001)
2. From a Lover to a Friend - 3:48 (Paul, Driving Rain; 2001)
3. Any Road - 3:52 (George, Brainwashed; 2002)
4. Never Without You - 5:24 (Ringo, Ringo Rama; 2003)
5. Fine Line - 3:06 (Paul, Chaos and Creation in the Backyard; 2005)
6. Fading In Fading Out - 3:55 (Ringo, Choose Love; 2005)
7. Jenny Wren - 3:47 (Paul, Chaos and Creation in the Backyard)

Side B (26:32)
8. Dance Tonight - 2:54 (Paul, Memory Almost Full; 2007)
9. Liverpool 8 - 4:51 (Ringo, Liverpool 8; 2008)
10. Sing the Changes - 3:44 (The Fireman, Electric Arguments; 2008)
11. Walk with You - 4:42 (Ringo w/ Paul, Y Not; 2010)
12. (I Want to) Come Home - 3:36 (Paul, non-album single; 2010)
13. My Valentine - 3:14 (Paul, Kisses on the Bottom; 2012)
14. Wings 2012 - 3:31 (Ringo, Ringo 2012; 2012)

Side C (28:56)
15. Cut Me Some Slack - 4:38 (Paul w/ Nirvana, Sound City: Real to Reel; 2013)
16. New - 2:56 (Paul, New; 2013)
17. Hope for the Future - 4:09 (Paul, Destiny; 2014)
18. Postcards from Paradise - 5:18 (Ringo, Postcards from Paradise; 2015)
19. In the Blink of an Eye - 3:20 (Paul, Ethel and Ernest; 2016)
20. We're on the Road Again - 4:24 (Ringo, Give More Love; 2017)
21. Come On to Me - 4:11 (Paul, Egypt Station; 2018)

Side D (25:49)
22. I Don't Know - 4:27 (Paul, Egypt Station)
23. Grow Old with Me - 3:18 (Ringo, What's My Name; 2019)
24. Home Tonight - 3:05 (Paul, non-album single; 2019)
25. Find My Way - 3:54 (Paul, McCartney III; 2020)
26. Here's to the Nights - 4:05 (Ringo, Zoom In; 2021)
27. Women and Wives - 2:52 (Paul, McCartney III)
28. Now and Then - 4:08 (The Beatles, non-album single; 2023)

The final compilation album, covering the entirety of the 2000s and 2010s, as well as the 2020s so far. With George dying from cancer in 2001, he's only represented on the first side, meaning that this compilation is mainly Paul and Ringo. It's likely going to be the most subjective of the five compilations due to there not being many songs that everyone knows, but what I've done here is try to pick those that were picked for single releases and go from there. Some songs were tough to cut - I almost opted for "Ever Present Past", but went with "(I Want to) Come Home" instead - but I think this is as good as it's going to get. I just had to include Ringo's version of "Grow Old with Me" (featuring Paul on bass and backing vocals) as it really does feel like all four of them are in the same room. Plus, it completes the tetralogy that also includes "Free as a Bird", "Real Love" and "Now and Then".

John is represented solely with "Now and Then", Paul with sixteen songs (including the sole track representing The Fireman), George with two songs, Ringo with eight songs, and one song jointly shared between Ringo and Paul.

Overall
Between the four members, and including collaborations with other artists, we have 21 songs credited to John Lennon, 61 songs credited to Paul McCartney, 30 songs credited to George Harrison, 23 songs credited to Ringo Starr, two songs jointly credited to both Paul and Ringo, and three John Lennon demos completed by the surviving Beatles. It's far from a perfect series of compilations as there are some tracks that I included to pad each side out to seven songs, and some are more obscure than others, but I think it makes for a solid retrospective of what John, Paul, George and Ringo did since the Beatles' breakup. "Now and Then" makes for a perfect close to a 60-plus year recording history.

I probably won't be updating this any time soon to include new music from Paul and Ringo that they might put out in 2024 and beyond, because the road ahead looks shorter than ever. And no, I won't be making a version that includes music by Julian, Sean and Dhani (not sure about James since Paul already represents the McCartney clan). You can figure that one out for yourselves.